So much for my intellectual inner life. My emotional inner life is less
easy to indicate. I became a woman at fifteen--years, interminable years,
before I left school. I guessed even then, vaguely, that my nature was
extremely emotional and passionate. And I had nothing literary on which
to feed my dreams, save a few novels which I despised, and the Bible and
the plays and poems of Shakespeare. It is wonderful, though, what good I
managed to find in those two use-worn volumes. I knew most of the Song of
Solomon by heart, and many of the sonnets; and I will not mince the fact
that my favourite play was _Measure for Measure_. I was an innocent
virgin, in the restricted sense in which most girls of my class and age
are innocent, but I obtained from these works many a lofty pang of
thrilling pleasure. They illustrated Chopin for me, giving precision and
particularity to his messages. And I was ashamed of myself. Yes; at the
bottom of my heart I was ashamed of myself because my sensuous being
responded to the call of these masterpieces. In my ignorance I thought I
was lapsing from a sane and proper ideal. And then--the second miracle in
my career, which has been full of miracles--I came across a casual
reference, in the _Staffordshire Recorder_, of all places, to the
_Mademoiselle de Maupin_ of Théophile Gautier. Something in the
reference, I no longer remember what, caused me to guess that the book
was a revelation of matters hidden from me. I bought it. With the
assistance of a dictionary, I read it, nightly, in about a week. Except
_Picciola_, it was the first French novel I had ever read. It held me
throughout; it revealed something on nearly every page. But the climax
dazzled and blinded me. It was exquisite, so high and pure, so
startling, so bold, that it made me ill. When I recovered I had fast in
my heart's keeping the new truth that in the body, and the instincts of
the body, there should be no shame, but rather a frank, joyous pride.
From that moment I ceased to be ashamed of anything that I honestly
liked. But I dared not keep the book. The knowledge of its contents would
have killed my aunt. I read it again; I read the last pages several
times, and then I burnt it and breathed freely.
Such was I, as I forced my will on my aunt in the affair of the concert.
And I say that she who had never suspected the existence of the real me,
suspected it then, when we glanced at each other across the
breakfast-room. Upon these apparent trifles life swings, as upon a pivot,
into new directions.
I sat with my aunt while Lucy went with the note. She returned soon with
the reply, and the reply was:
'So sorry I can't accept your kind invitation. I should have liked to go
awfully. But Fred has got the toothache, and I must not leave him.'
The toothache! And my very life, so it seemed to me, hung in the balance.
I did not hesitate one second.
'Hurrah!' I cried. 'She can go. I am to call for her in the cab.'
Public-domain text, read in full here on John Shaqi.
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