Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.Le Plongeon, Augustus
History
Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.
I will make here a short digression in order to describe these sculptures,
that with the knowledge we possess to-day of the history of the founders of
the principal ruined cities of Mayax, afford us another proof that the
builders of that city of Tiahuanuco belonged to a then highly civilized
nation, which sent colonists to the remotest parts of the earth, as the
English do to-day, and to whose historical annals may be traced many of the
primitive traditions of mankind. This city was already in ruins when Manco
Capac laid the foundation of the Inca's empire, and had been constructed by
_giants before the sun shone in heaven_, as the natives said to the
Spaniards when questioned as to its antiquity.
We have seen that the members of the family of king _Can_, are still
worshiped in the temples of Japan, as of old they were in those of Egypt;
we now meet unimpeachable records of them, carved on very ancient
monuments, on the shores of lake Titicaca, at the foot of the great
glaciers of Sorata and Illimani, as we have found them in mythological lore
of India and Greece. Will it be said that these are mere coincidences?
[Illustration]
The front of this monolithic gate was once upon a time as highly polished
as the material, trachite, will permit. The whole space above the doorway
is divided into four bands about eight inches high. The lower band contains
seventeen small heads, in low relief, adorned in a somewhat similar manner
to that of the central figure. _Seven_ of these, those directly under that
figure wear, like it, a badge that seems to be a plume composed of _three_
feathers. These small heads are separated by _grecques_ having macaw's
heads at their salient sides; these _grecques_ are the symbol of power and
strength. In the ancient Maya and Egyptian alphabets the _grecque_ is
equivalent to our latin letter H. _Ah_ is the Maya masculine article, and
it conveys to the mind the idea of might and power; this, taken in
connection with the _macaw's_ head, totem of Moo, the queen of Chichen,
signifies the mighty, the powerful Moo.
The other bands are divided into squares of the same size, except in the
center over the doorway, where there is a figure 32 by 21 inches.
Public-domain text, read in full here on John Shaqi.
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