Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.Le Plongeon, Augustus
History
Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.
Its head, the form of which is not only conventional, as its square eyes
and mouth indicate, but likewise emblematical, consists of _three_
superposed layers in the shape of escutcheons, the uppermost of which is
sculptured so as to represent a human face. These _three_ escutcheons as
the _three_ feathers of the plume that adorns it, the _triple_ throne on
which the figure seems to stand, the _three_ dots on each cheek, the
_three_ oblong squares on the breast-plate, the _three_ macaw's heads at
the extremities of the _triple_ sceptre it holds in its hands, are
symbolical of the _three_ great western regions that the Egyptians
designated by the generic name of "_Lands of the West_" and represented by
the character [Symbol: three-pointed crown] which is an image of the crown
worn by some of the high chiefs in Mayax. That the central figure was meant
to represent these countries, the sign [Symbol: long hollow rectangle],
that stands in lieu of the mouth, indicates. It is the letter _M_,
pronounced _Ma_, of the Maya and Egyptian ancient alphabets. It is the
radical of _Mayax_, name of the Maya empire. But _Ma_ in Egypt as in Mayax,
is a word that signifies land, country, and by extension universe; and in
Mayax as in Egypt [Symbol: long hollow rectangle] is one of the signs for
land.
[Illustration]
The head is surrounded by rays divided into groups of four; four on the
top, four on each side, and four on the under part. Each ray is terminated
by a circle with a dot in the center [Symbol: circle with a dot in the
middle], a sign very often met with on the monuments of Mayax; particularly
on the trunk of the mastodon's heads. It is the first letter of the ancient
Maya and Egyptian alphabets, and correspond to our letter A, the initial of
the Maya word _Ahau_, king.
[Illustration]
This would indicate that the central figure was likewise symbolical of the
king _par excellence_, ruler of the empire, whom the kneeling personages
that surround it, are in the act of worshiping as shown, not only by their
posture, but also by the sign [Symbol: hanging fronds], carved on the neck
of the macaw-headed figures, the followers of the queen _Moo_ (macaw),
which again in Mayax as in Egypt is the symbol of offering, worship, and
adoration. The name of this great king we read in the four heads of
leopards, terminating the rays at the upper angles, and those in the middle
on each side of the escutcheon, and in the four rays of each group.
Translating these symbols by means of the Maya language, we find that _Can
Coh_ was the name of the potentate; and that he was a member of the _Can_
family, rulers of Mayax. This fact is indicated by the serpent heads at the
lower angles of the escutcheon, those at the extremities of the
breast-plate, the four oblong squares carved on the ribbons that support
it, and the number of rays forming each group round the head.
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