It was the "Eldorado" of remote antiquity. Thither, in the dawn of
recorded history, had gone the Phoenician galleys, full of hook-nosed
men in purple and brass, their beards scented with spikenard. From the
mining towns that they built in the jungle, surrounded by cyclopean
walls and adorned with grotesque stone images, came the stores of gold
with which the Sidonians enriched King Solomon. To-day all those
workings were apparently exhausted. The Zimbabwe--the cities of
stone--had crumbled; the jungle had closed in; and in that wilderness
only a heap of rubble, or the choked mouth of a pit, remained here and
there to mark the source of the metal that had gilded the temple at
Jerusalem, and the Semitic shrines to Baal and Astoreth.
But a new letter told her that he had crossed the Zambesi.
He had gone into a land almost wholly unexplored by its present
claimants, full of fever-breeding marshes, barren mountain gorges, and
great forests. The inhabitants were an unconquered race of warriors
called the Mambava, fiercer than the lions and leopards about them,
hostile to strangers, and given to uncanny customs. They worshipped
among other things--perhaps in consequence of the old Phoenician
occupation--the moon. At certain periods of the year their forests
thundered with the music of drums; their towns were deserted except for
the women and children. Then the stranger who had ventured into their
country might see, from his hiding place, hordes of black men moving to
a secret rendezvous, their painted faces framed in monkey hair, their
limbs covered with amulets, their shields rising in time to an
interminable chanting in a minor key.
Sometimes, in the corridor outside the door of Lawrence's rooms, she
encountered a small, dapper young man with an inquisitive face, who
lived on the floor above. He usually carried under his arm a leather
portfolio. Nothing could have been more interested than his look when
he passed this sad-eyed woman in mourning, whose identity and story he
had learned from the janitor.
When she had shut the living-room door behind her, for a moment she
closed her eyes in order that she might not see the weapons on the
walls. Then she kindled the fire. The blazing logs sent over her a
wave of heat; but she shivered while listening to the sound of sleet on
the glass.
"He might be here with me. We might have felt together the security
and peace of this warm room, and laughed at the storm outside."
One evening she ripped from their frames the photographs of savages
smeared with white paint and crowned with fur and feathers. She threw
them into the fire. As the flames consumed them, she leaned, forward
like those who try to annihilate their enemies by destroying their
likenesses.
Public-domain text, read in full here on John Shaqi.
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