To Lilla it was a new voice in the world of music, ultra-modern, yet
incorrigibly melodic, giving utterance to immemorial emotions with
great nobility. Those passages of almost intolerable aspiration were
underlaid with dissonant harmonies, as if hell itself had poured all
its allurements into tone, to engulf the theme that was struggling to
soar upward. It became a terrific combat, in which beauty was to be
recognized in sublimated form, striving to end its likeness to another
beauty, seductive in a different, monstrous way, yet all too similar.
It was a battle translated into sound, so enlarged and enriched by the
imagination of the composer that a universe, instead of one soul,
seemed to be involved in it.
Suddenly in the midst of a piercing blare of brass there was a moment
of chaos; then the theme, as if soaring free, lost itself in
extraordinary altitudes, borne up by a whirl of violin notes. A crash
of cymbals ended everything.
When she roused herself at last, Lilla perceived that the concert hall
was empty except for the ushers who were turning up the seats.
CHAPTER XXI
Hamoud-bin-Said suggested that she master first the most difficult
consonants--"ha," to be pronounced with the force at the back of the
palate, "dad" and "ta," emphasized by pressing the tongue far back, and
the strong guttural "en." These were sounds that had no association
with any in English, French, German, or Italian. Lilla was filled with
dismay.
"But this poor young man lost from the _Arabian Nights_ must live," she
reflected, eyeing the salt-and-pepper suit with secret horror.
He was extremely neat, however; and his small right hand, with which he
turned the pages of the textbook, was as well cared for as hers. He
brought with him into the library an almost imperceptible scent of
burnt aloes. His grave composure sometimes made her forget his youth.
Now and then, the lesson finished, she detained him in talk, out of
curiosity.
From his father he had inherited a house in Zanzibar, a mansion,
indeed, of coraline limestone fitted with doors of palmwood elegantly
carved. At the same time he had fallen heir to a grove of clove trees;
in short, he had been wealthy. There had been no end of hospitality in
his home. In the large, white rooms strewn with Persian carpets, where
there were no pictures, but a variety of clocks, the slaves were always
bringing in to visitors an excess of refreshment--stews of mutton, fine
soups, cakes, sherbets, Turkish delight. The world had been a good
place, full of friends.
Public-domain text, read in full here on John Shaqi.
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