Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
Once in another garden we found the owner at home. It was early in
the morning; he was standing on his doorstep, judging between the
differences of two people of his village, a man and a veiled woman,
who had come to seek his arbitration. They were both talking loudly,
she with shrill exclamations and calls upon God to witness, in her
eagerness forgetting the laws of modesty, and throwing aside her
thick linen veil, that she might plead with eyes and expression, as
well as voice--or perhaps it was policy, for she had a beautiful
face, dark-eyed and pale, round which the folds of black cloak and
white linen fell like the drapery round the head of a Madonna. When
our unknown host saw us, he dismissed his clamorous petitioners, and
greeted us with the courtesy which is the heirloom of the Persian
race. Seats were brought for us, tea and coffee served to us, a blue
cotton-clothed multitude of gardeners offered us baskets of unripe
plums, dishes of lettuce, and bunches of stiffly-arranged flowers.
We sat and conversed, with no undue animation, here and there an
occasional remark, but the intervals were rendered sociable by the
bubbling of kalyans. At length we rose to go, and as we walked down the
garden-paths many compliments passed between us and our host. At the
gate he assured us that our slave had been honoured by our acceptance
of his hospitality, and with low bows we mounted our horses and rode
away.
We had not in reality trenched upon his privacy. There was, indeed, a
part of his domains where even his hospitality would not have bidden
us enter. Behind the house in which we were received lay the women’s
dwelling, a long, low, verandaed building standing round a deep tank,
on whose edge solemn children carry on their dignified games, and
veiled women flit backwards and forwards. Shaded by trees, somewhat
desolate and uncared-for in appearance, washed up at the further end of
the garden beyond the reach of flowers, the sight of the andarun and of
its inhabitants knocks at the heart with a weary sense of discontent,
of purposeless, vapid lives--a wailing, endless minor.
So in the wilderness, between high walls, the secret, mysterious
life of the East flows on--a life into which no European can
penetrate, whose standards, whose canons, are so different from his
own that the whole existence they rule seems to him misty and unreal,
incomprehensible, at any rate unfathomable; a life so monotonous,
so unvaried from age to age, that it does not present any feature
marked enough to create an impression other than that of vague
picturesqueness, of dulness inexpressible, of repose which has turned
to lethargy, and tranquillity carried beyond the point of virtue.
Public-domain text, read in full here on John Shaqi.
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