Safar Nameh, Persian Pictures: A Book Of Travel — John Shaqi
Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
Many gates lead into the city, breaking the level of the mud walls,
with their arches and turrets, which are decorated with tiles of
faïence set into patterns and pictures and inscriptions. The space
enclosed by the walls is a large one, but it is not by any means filled
with houses. Passing through one of the western gateways, you will
find yourself at first in desolate tracts of sand, stretching between
unfinished or ruined buildings; occasionally the open doorway in a
long mud wall will reveal to you a luxuriant garden full of tanks and
fountains and flower-beds, under whose plane-trees stands the house
of some rich man who can afford himself a weekly sufficiency of water
to turn the wilderness into fertile pleasure-grounds; further on you
will come upon wide streets, very empty and silent, fringed by low,
mud-built houses; gradually the streets narrow, the sloping counters
of shops present their wares to the passers-by: fruit and vegetables,
and the broad thin flaps of Persian bread; here and there a European
shop-window, behind which the goods are more miscellaneous than
tempting; here and there the frontage of some Government building,
with a doorway gaily patterned in coloured bricks. As the streets grow
narrower, they become more crowded. A kaleidoscopic world of unfamiliar
figures passes to and fro beneath the white mulberry-trees which spring
out between the cobble stones of the pavement: grave elders holding
their cloaks discreetly round them, dervishes with a loincloth about
their waists, and a brilliant scarf bound over their ragged locks,
women enveloped from head to foot in loose black garments, a linen
veil hanging over their faces, and making them look like the members
of some strange religious order, negro slaves and white-robed Arabs,
beggars and loiterers, and troops of children pressing in and out
between the horsemen and the carriages. Sometimes a beggar will accost
you--a woman, perhaps, drawing aside a corner of her veil and imploring
alms in a sweet high voice. If you turn a deaf ear to her prayers, she
will invoke curses on your head, but a copper coin will purchase you
every blessing known to man, including the disappearance of the lady
in question, who would otherwise have followed you with unblushing
persistence, shouting, ‘Pul! pul! pul!’--Money! money! money!--in your
ear.
Public-domain text, read in full here on John Shaqi.
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