Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
It must be confessed that, in spite of its size, the square makes no
favourable impression upon the mind of the sophisticated European. The
gates leading into it are adorned with ugly modern tiles, the buildings
round it lack all trace of architectural merit. Their stucco face is
questionably embellished by a fresco of lions, exceedingly ill drawn,
each animal looking nervously round at the sun disc with its spiked
circle of rays, which rises from behind its shoulders. Nor does it
contain any press of human activity to atone for its lack of beauty.
About the gate which leads into the Ark, where the palace is situated,
there are indeed some signs of life--groups of soldiers are diversified
by the figures of servants of the palace, clad in brilliant scarlet
uniforms, and mounted on horses wearing bits and collars of solid
silver, and by the fantastic liveries of the Shah’s runners, whose
dress closely resembles that which is depicted on a court-card, and
whose headgear partakes equally of the nature of a beadle’s and of a
jester’s; but for the rest this square is comparatively empty, and the
wind sweeps the dust-clouds round the park of antiquated cannon which
stands in its midst.
More narrow, squalid streets bring you to the bazaar, where, though
little really beautiful or precious is to be found, the thronging
Oriental life is in itself an endless source of delight. Ride through
it on a summer morning, when its vaulted coolness will offer you a
grateful shelter from the sun, and before its activity has been hushed
by the heat of mid-day. In the shadow of the entrance there stands
a small merchant, posted on the doorstep like an emblem of Oriental
commerce--a solemn, long-robed child, so little that his mother’s heart
must have ached when she trusted the dear turbaned head out of her
sight. This morsel of humanity has brought some bunches of flowers to
sell, and has spread them out on a large stone in front of him. In his
improvised shop he stands, motionless and imperturbable, watching the
comers and goers, and waiting in dignified patience till one of them
shall pause and buy. Wish him good luck under your breath (for he would
resent the blessings of unbelievers), and pass on beneath the dark
arches of the bazaar.
Public-domain text, read in full here on John Shaqi.
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