Touching the size of the Norman ships, they did not exceed thirty
tons burthen, and as we have seen from the above illustration they
were put together on the beach. We have seen, too, that the mast was
lowered _forward_, not aft, and with the sail and yard fixed to the
mast. This practice is confirmed by an illustration shown in an old
manuscript, in which the sailors have gone aft for the purpose of
either raising or lowering the mast. Hanging on to the stays they
are even standing right out on the top of the stern-post. The yard
is clearly seen from these illustrations to have been kept fixed to
the mast and not lowered separately, so that to furl the sail when
the mast was not taken down the sailors climbed the rigging and tied
the sail to the yard. In the Brighton—or as this old fishing village
was then called, Brighthelmston—font this is shown quite clearly, as
also is a figure holding a tiller, which is correctly shown to be on
the starboard side. The high bows and stern are typical of the Viking
type, while the construction appears to be clinker. As we shall see
from seals and other illustrations while we go down through time this
may be regarded as the characteristic ship of Northern Europe until
the end of the fifteenth century, although the tendency was gradually
to get away from the “longship” idea and to develop into a crescent
form. In the Winchester font which is about a hundred years later
than the Brighton one, this newer shape is most noticeable. Both
fonts refer to a scene in the life of St. Nicholas.
[Illustration: FIG. 33. WILLIAM THE CONQUEROR’S SHIPS.
_From the Bayeux Tapestry._]
Public-domain text, read in full here on John Shaqi.
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