Be that as it will, Augustin could not take a step in Madaura without running against the legend of Apuleius, who was become almost a divinity for his fellow-countrymen. He was looked upon not only as a sage, but as a most wily nigromancer. The pagans compared him to Christ--nay, put him higher than Christ. In their view he had worked much more astonishing miracles than those of Jesus or of Apollonius of Tyana. And people told the extravagant stories out of his _Metamorphoses_ as real, as having actually happened. Nothing was seen on all sides but wizards, men changed into animals, animals, or men and women, under some spell. In the inns, a man watched with a suspicious look the ways of the maidservant who poured out his drink or handed him a dish. Perhaps some magic potion was mingled with the cheese or bread that she was laying on the table. It was an atmosphere of feverish and delirious credulity. The pagan madness got the better of the Christians themselves. Augustin, who had lived in this atmosphere, will later find considerable trouble in maintaining his strong common sense amid such an overflow of marvels. For the moment, the fantasy of tales filled him with at least as much enthusiasm as the supernatural. At Madaura he lived in a miraculous world, where everything charmed his senses and his mind, and everything stimulated his precocious instinct for Beauty. More than Thagaste, no doubt, Madaura bore the marks of the building genius of the Romans. Even to-day their descendants, the Italians, are the masons of the world, after having been the architects. The Romans were the building nation above all others. They it was who raised and established towns upon the same model and according to the same ideal as an oration or a poem. They really invented the house, _mansio_, not only the shelter where one lives, but the building which itself lives, which triumphs over years and centuries, a huge construction ornamental and sightly, existing as much--and perhaps more--for the delight of the eyes as for usefulness. The house, the _Town-with-deep-streets_, perfectly ordered, were a great matter of amazement for the African nomad--he who passes and never settles down anywhere. He hated them, doubtless, as the haunts of the soldier and the publican, his oppressors, but he also regarded them with admiration mixed with jealousy as the true expression of a race which, when it entered a country, planted itself for eternity, and claimed to join magnificence and beauty to the manifestation of its strength. The Roman ruins which are scattered over modern Algeria humiliate ourselves by their pomp--us who flatter ourselves that we are resuming the work of the Empire and continuing its tradition. They are a permanent reproach to our mediocrity, a continual incitement to grandeur and beauty. Of course, the Roman architecture could not have had on Augustin, this still unformed young African, the same effect as it has to-day on a Frenchman or a man from