Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
All this, however, must be taken with one heavy qualification. She was
only a girl in her teens. If we could think of her as a managing woman
of fifty we should seize her type at once; for we have plenty of
managing women among us of that age who illustrate perfectly the sort of
person she would have become had she lived. But she, being only a lass
when all is said, lacked their knowledge of men’s vanities and of the
weight and proportion of social forces. She knew nothing of iron hands
in velvet gloves: she just used her fists. She thought political changes
much easier than they are, and, like Mahomet in his innocence of any
world but the tribal world, wrote letters to kings calling on them to
make millennial rearrangements. Consequently it was only in the
enterprises that were really simple and compassable by swift physical
force, like the coronation and the Orleans campaign, that she was
successful.
Her want of academic education disabled her when she had to deal with
such elaborately artificial structures as the great ecclesiastical and
social institutions of the Middle Ages. She had a horror of heretics
without suspecting that she was herself a heresiarch, one of the
precursors of a schism that rent Europe in two, and cost centuries of
bloodshed that is not yet staunched. She objected to foreigners on the
sensible ground that they were not in their proper place in France; but
she had no notion of how this brought her into conflict with Catholicism
and Feudalism, both essentially international. She worked by
commonsense; and where scholarship was the only clue to institutions she
was in the dark and broke her shins against them, all the more rudely
because of her enormous self-confidence, which made her the least
cautious of human beings in civil affairs.
This combination of inept youth and academic ignorance with great
natural capacity, push, courage, devotion, originality and oddity, fully
accounts for all the facts in Joan’s career, and makes her a credible
historical and human phenomenon; but it clashes most discordantly both
with the idolatrous romance that has grown up round her, and the
belittling scepticism that reacts against that romance.
The Maid in Literature.
Public-domain text, read in full here on John Shaqi.
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