Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
finally destroyed her.
Unbroken Success essential in Theocracy.
To forge such a chain she needed to be the King, the Archbishop of
Rheims, the Bastard of Orleans, and herself into the bargain; and that
was impossible. From the moment when she failed to stimulate Charles to
follow up his coronation with a swoop on Paris she was lost. The fact
that she insisted on this whilst the king and the rest timidly and
foolishly thought they could square the Duke of Burgundy, and effect a
combination with him against the English, made her a terrifying nuisance
to them; and from that time onward she could do nothing but prowl about
the battlefields waiting for some lucky chance to sweep the captains
into a big move. But it was to the enemy that the chance came: she was
taken prisoner by the Burgundians fighting before Compiègne, and at once
discovered that she had not a friend in the political world. Had she
escaped she would probably have fought on until the English were gone,
and then had to shake the dust of the court off her feet, and retire to
Domrémy as Garibaldi had to retire to Caprera.
Modern Distortions of Joan’s History.
This, I think, is all that we can now pretend to say about the prose of
Joan’s career. The romance of her rise, the tragedy of her execution,
and the comedy of the attempts of posterity to make amends for that
execution, belong to my play and not to my preface, which must be
confined to a sober essay on the facts. That such an essay is badly
needed can be ascertained by examining any of our standard works of
reference. They give accurately enough the facts about the visit to
Vaucouleurs, the annunciation to Charles at Chinon, the raising of the
siege of Orleans and the subsequent battles, the coronation at Rheims,
the capture at Compiègne, and the trial and execution at Rouen, with
their dates and the names of the people concerned; but they all break
down on the melodramatic legend of the wicked bishop and the entrapped
maiden and the rest of it. It would be far less misleading if they were
wrong as to the facts, and right in their view of the facts. As it is,
they illustrate the too little considered truth that the fashion in
which we think changes like the fashion of our clothes, and that it is
difficult, if not impossible, for most people to think otherwise than in
the fashion of their own period.
History always out of Date.
Public-domain text, read in full here on John Shaqi.
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