Saint Joan : $b A chronicle play in six scenes and an epilogueShaw, Bernard
HistoryHistory
Saint Joan : $b A chronicle play in six scenes and an epilogue
Shaw, Bernard
Christian women saints -- Drama; France -- History -- Charles VII, 1422-1461 -- Drama; Joan, of Arc, Saint, 1412-1431 -- Drama
I must not, by the way, be taken as implying that the earth is flat, or
that all or any of our amazing credulities are delusions or impostures.
I am only defending my own age against the charge of being less
imaginative than the Middle Ages. I affirm that the nineteenth century,
and still more the twentieth, can knock the fifteenth into a cocked hat
in point of susceptibility to marvels and miracles and saints and
prophets and magicians and monsters and fairy tales of all kinds. The
proportion of marvel to immediately credible statement in the latest
edition of the Encyclopædia Britannica is enormously greater than in the
Bible. The medieval doctors of divinity who did not pretend to settle
how many angels could dance on the point of a needle cut a very poor
figure as far as romantic credulity is concerned beside the modern
physicists who have settled to the billionth of a millimetre every
movement and position in the dance of the electrons. Not for worlds
would I question the precise accuracy of these calculations or the
existence of electrons (whatever they may be). The fate of Joan is a
warning to me against such heresy. But why the men who believe in
electrons should regard themselves as less credulous than the men who
believed in angels is not apparent to me. If they refuse to believe,
with the Rouen assessors of 1431, that Joan was a witch, it is not
because that explanation is too marvellous, but because it is not
marvellous enough.
The Stage Limits of Historical Representation.
Public-domain text, read in full here on John Shaqi.
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