Hertha gazed at him with surprise in her bright eyes; she had asked the
question with much condescension, and this strange man had dared to
declare briefly and dryly that he did not like a Count's castle. As she
was apparently considering whether or not to be displeased, her glance
fell upon Michael's hat, which he held in his hand, and which was
adorned with a bunch of magnificent Alpine roses. "Oh, what beautiful
flowers!" she exclaimed. "Give them to me." And she had possessed
herself of the hat and pulled out the flowers before Michael could say
a word. He looked rather amazed to see this appropriation of his
property, but made no attempt to prevent it.
The child seated herself in an arm-chair beside the hearth, seeming
delighted with her flowers, and began to talk easily and familiarly.
She told about the big castle where she had been accustomed to live
with her mother and father, and where it was all much prettier than
here, of her pony upon which she had learned to ride, and which had
unfortunately been left there, of her mother, and of much else besides.
The apparent dulness of her hearer seemed to amuse her mightily; she
tried to make him talk, and actually did extort from him that he was
the forester's son, and lived high up in the mountains in the forest
lodge, a fact that interested her much.
There was something bewitching in the sweet, beguiling childish voice,
and in the fairy-like little figure nestling gracefully among the
cushions of the arm-chair, where the hair glistened against the dark
background. Michael slowly drew near, and gradually began to reply more
easily; this beguiling talk and laughter cast about him a spell the
power of which he vaguely felt, although he did not understand it, and
could not shake it off.
As she talked, Hertha continued to play with the flowers, which she
separated, arranged, and rearranged, but at last wearying of them she
began to pull to pieces the nosegay she had so ardently coveted. Her
little hands pitilessly destroyed the white blossoms, throwing them
heedlessly on the ground. Michael frowned, and in a tone of
remonstrance, but still more of entreaty, said, "Do not pull them to
pieces! Those flowers were hard to find."
"But I don't like them any more," declared the child, and she continued
her work of destruction. Without further ado Michael seized her by the
arm and held her fast.
"Let me go!" exclaimed the little girl, angrily trying to escape from
his grasp. "I don't like your flowers any more; and I don't like you,
either, any more. Go away!"
There was more than mere childish waywardness in these words. The "I
don't like you, either, any more," sounded haughty and contemptuous,
and meanwhile the strange gleam appeared in the eyes that made them so
unchildlike. Michael suddenly loosened his grasp of her arm, but at the
same moment snatched the flowers from her.
Public-domain text, read in full here on John Shaqi.
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