She looked long at her face in the mirror, studying with a fearful
interest the little hard lines and markings there beneath their light
coating of powder. She examined the cunning touches of colouring matter
here and there in her front hair. Were they cunning enough? Did they
deceive? They seemed to her suddenly to stare out. She fingered and
smoothed the slight looseness and fulness of the skin below her chin.
She stretched herself, and passed her hands down over her whole form,
searching as it were for slackness, or thickness. And she had the bitter
thought: 'I'm all out. I'm doing all I can.' The lines of a
little poem Fort had showed her went thrumming through her head:
“Time, you old gipsy man Will you not stay Put up your caravan Just
for a day?”
What more could she do? He did not like to see her lips reddened. She
had marked his disapprovals, watched him wipe his mouth after a kiss,
when he thought she couldn't see him. 'I need'nt!' she thought.
'Noel's lips are no redder, really. What has she better than I?
Youth—dew on the grass!' That didn't last long! But long enough to
“do her in” as her soldier-men would say. And, suddenly she revolted
against herself, against Fort, against this chilled and foggy country;
felt a fierce nostalgia for African sun, and the African flowers; the
happy-go-lucky, hand-to-mouth existence of those five years before the
war began. High Constantia at grape harvest! How many years ago—ten
years, eleven years! Ah! To have before her those ten years, with him!
Ten years in the sun! He would have loved her then, and gone on loving
her! And she would not have tired of him, as she had tired of those
others. 'In half an hour,' she thought, 'he'll be here,
sit opposite me; I shall see him struggling forcing himself to seem
affectionate! It's too humbling! But I don't care; I want him!'
Public-domain text, read in full here on John Shaqi.
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