“Ah! It's a crool war. I shan't be sorry when it's over. Goin'
out and comin' in, we see some sad sights 'ere. Wonderful spirit
they've got, too. I never look at the clock now but what I think:
'There you go, slow-coach! I'd like to set you on to the day the
boys come back!' When I puts a bag in: 'Another for 'ell' I
thinks. And so it is, miss, from all I can 'ear. I've got a son out
there meself. It's 'ere they'll come along. You stand quiet and
keep a lookout, and you'll get a few minutes with him when he's done
with 'is men. I wouldn't move, if I were you; he'll come to you,
all right—can't miss you, there.' And, looking at her face, he
thought: 'Astonishin' what a lot o' brothers go. Wot oh! Poor
little missy! A little lady, too. Wonderful collected she is. It's
'ard!'.rdquo; And trying to find something consoling to say, he
mumbled out: “You couldn't be in a better place for seen'im off.
Good night, miss; anything else I can do for you?”
“No, thank you; you're very kind.”
He looked back once or twice at her blue-clad figure standing very
still. He had left her against a little oasis of piled-up empty
milk-cans, far down the platform where a few civilians in similar case
were scattered. The trainway was empty as yet. In the grey immensity of
the station and the turmoil of its noise, she felt neither lonely nor
conscious of others waiting; too absorbed in the one thought of seeing
him and touching him again. The empty train began backing in, stopped,
and telescoped with a series of little clattering bangs, backed on
again, and subsided to rest. Noel turned her eyes towards the station
arch ways. Already she felt tremulous, as though the regiment were
sending before it the vibration of its march.
Public-domain text, read in full here on John Shaqi.
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