To wash up is not an exciting operation. To wash up in August became for
Noel a process which taxed her strength and enthusiasm. She combined it
with other forms of instruction in the art of nursing, had very little
leisure, and in the evenings at home would often fall asleep curled up
in a large chintz-covered chair.
George and Gratian had long gone back to their respective hospitals,
and she and her father had the house to themselves. She received many
letters from Cyril which she carried about with her and read on her way
to and from the hospital; and every other day she wrote to him. He was
not yet in the firing line; his letters were descriptive of his men,
his food, or the natives, or reminiscent of Kestrel; hers descriptive of
washing up, or reminiscent of Kestrel. But in both there was always some
little word of the longing within them.
It was towards the end of August when she had the letter which said that
he had been moved up. From now on he would be in hourly danger! That
evening after dinner she did not go to sleep in the chair, but sat
under the open window, clenching her hands, and reading “Pride and
Prejudice” without understanding a word. While she was so engaged her
father came up and said:
“Captain Fort, Nollie. Will you give him some coffee? I'm afraid I
must go out.”
When he had gone, Noel looked at her visitor drinking his coffee. He
had been out there, too, and he was alive; with only a little limp. The
visitor smiled and said:
“What were you thinking about when we came in?”
“Only the war.”
“Any news of him?”
Noel frowned, she hated to show her feelings.
“Yes! he's gone to the Front. Won't you have a cigarette?”
“Thanks. Will you?”
“I want one awfully. I think sitting still and waiting is more
dreadful than anything in the world.”
“Except, knowing that others are waiting. When I was out there I used
to worry horribly over my mother. She was ill at the time. The cruelest
thing in war is the anxiety of people about each other—nothing touches
that.”
The words exactly summed up Noel's hourly thought. He said nice
things, this man with the long legs and the thin brown bumpy face!
“I wish I were a man,” she said, “I think women have much the
worst time in the war. Is your mother old?” But of course she was old
why he was old himself!
“She died last Christmas.”
“Oh! I'm so sorry!”
“You lost your mother when you were a babe, didn't you?”
“Yes. That's her portrait.” At the end of the room, hanging on a
strip of black velvet was a pastel, very faint in colouring, as though
faded, of a young woman, with an eager, sweet face, dark eyes, and bent
a little forward, as if questioning her painter. Fort went up to it.
“It's not a bit like you. But she must have been a very sweet
woman.”
“It's a sort of presence in the room. I wish I were like her!”
Fort turned. “No,” he said; “no. Better as you are. It would only
have spoiled a complete thing.”
“She was good.”
“And aren't you?”
“Oh! no. I get a devil.”
Public-domain text, read in full here on John Shaqi.
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