Young Morland was a school and college friend of the two Pierson boys
now at the front. He had no home of his own, for his parents were dead;
and this was not his first visit to Kestrel. Arriving three weeks ago,
for his final leave before he should go out, he had found a girl sitting
in a little wagonette outside the station, and had known his fate
at once. But who knows when Noel fell in love? She was—one
supposes—just ready for that sensation. For the last two years she had
been at one of those high-class finishing establishments where, in
spite of the healthy curriculum, perhaps because of it, there is ever an
undercurrent of interest in the opposing sex; and not even the gravest
efforts to eliminate instinct are quite successful. The disappearance
of every young male thing into the maw of the military machine put a
premium on instinct. The thoughts of Noel and her school companions were
turned, perforce, to that which, in pre-war freedom of opportunity they
could afford to regard as of secondary interest. Love and Marriage
and Motherhood, fixed as the lot of women by the countless ages, were
threatened for these young creatures. They not unnaturally pursued what
they felt to be receding.
When young Morland showed, by following her about with his eyes, what
was happening to him, Noel was pleased. From being pleased, she became a
little excited; from being excited she became dreamy. Then, about a week
before her father's arrival, she secretly began to follow the young
man about with her eyes; became capricious too, and a little cruel. If
there had been another young man to favour—but there was not; and she
favoured Uncle Bob's red setter. Cyril Morland grew desperate. During
those three days the demon her father dreaded certainly possessed
her. And then, one evening, while they walked back together from the
hay-fields, she gave him a sidelong glance; and he gasped out: “Oh!
Noel, what have I done?” She caught his hand, and gave it a quick
squeeze. What a change! What blissful alteration ever since!
Public-domain text, read in full here on John Shaqi.
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