Pierson had a sort of vertigo; if he had moved, he must have fallen
down. Nollie! He slid round and sank into his chair, and by some
horrible cruel fiction of his nerves, he seemed to feel Noel on his
knee, as, when a little girl, she had been wont to sit, with her fair
hair fluffing against his cheek. He seemed to feel that hair tickling
his skin; it used to be the greatest comfort he had known since her
mother died. At that moment his pride shrivelled like a flower held to a
flame; all that abundant secret pride of a father who loves and admires,
who worships still a dead wife in the children she has left him; who,
humble by nature, yet never knows how proud he is till the bitter thing
happens; all the long pride of the priest who, by dint of exhortation
and remonstrance has coated himself in a superiority he hardly
suspects—all this pride shrivelled in him. Then something writhed and
cried within, as a tortured beast cries, at loss to know why it is being
tortured. How many times has not a man used those words: “My God! My
God! Why hast Thou forsaken me!” He sprang up and tried to pace his
way out of this cage of confusion: His thoughts and feelings made the
strangest medley, spiritual and worldly—Social ostracism—her soul in
peril—a trial sent by God! The future! Imagination failed him. He went
to his little piano, opened it, closed it again; took his hat, and stole
out. He walked fast, without knowing where. It was very cold—a clear,
bitter evening. Silent rapid motion in the frosty air was some relief.
As Noel had fled from him, having uttered her news, so did he fly from
her. The afflicted walk fast. He was soon down by the river, and turned
West along its wall. The moon was up, bright and nearly full, and the
steel-like shimmer of its light burnished the ebbing water. A cruel
night! He came to the Obelisk, and leaned against it, overcome by a
spasm of realisation. He seemed to see his dead wife's face staring
at him out of the past, like an accusation. “How have you cared for
Nollie, that she should have come to this?” It became the face of the
moonlit sphinx, staring straight at him, the broad dark face with
wide nostrils, cruel lips, full eyes blank of pupils, all livened and
whitened by the moonlight—an embodiment of the marvellous unseeing
energy of Life, twisting and turning hearts without mercy. He gazed into
those eyes with a sort of scared defiance. The great clawed paws of the
beast, the strength and remorseless serenity of that crouching creature
with human head, made living by his imagination and the moonlight,
seemed to him like a temptation to deny God, like a refutation of human
virtue.
Public-domain text, read in full here on John Shaqi.
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