She sang all this in an old Chanaanite idiom, which the Barbarians did not understand. They asked one another what she could be saying to them with those frightful gestures which accompanied her speech, and mounted round about her on the tables, beds, and sycamore boughs, they strove with open mouths and craned necks to grasp the vague stories hovering before their imaginations, through the dimness of the theogonies, like phantoms wrapped in cloud. Only the beardless priests understood Salammbô; their wrinkled hands, which hung over the strings of their lyres, quivered, and from time to time they would draw forth a mournful chord; for, feebler than old women, they trembled at once with mystic emotion, and with the fear inspired by men. The Barbarians heeded them not, but listened continually to the maiden’s song. None gazed at her like a young Numidian chief, who was placed at the captains’ tables among soldiers of his own nation. His girdle so bristled with darts that it formed a swelling in his ample cloak, which was fastened on his temples with a leather lace. The cloth parted asunder as it fell upon his shoulders, and enveloped his countenance in shadow, so that only the fires of his two fixed eyes could be seen. It was by chance that he was at the feast, his father having domiciled him with the Barca family, according to the custom by which kings used to send their children into the households of the great in order to pave the way for alliances; but Narr’ Havas had lodged there for six months without having hitherto seen Salammbô, and now, seated on his heels, with his head brushing the handles of his javelins, he was watching her with dilated nostrils, like a leopard crouching among the bamboos. On the other side of the tables was a Libyan of colossal stature, and with short black curly hair. He had retained only his military jacket, the brass plates of which were tearing the purple of the couch. A necklace of silver moons was tangled in his hairy breast. His face was stained with splashes of blood; he was leaning on his left elbow with a smile on his large, open mouth. Salammbô had abandoned the sacred rhythm. With a woman’s subtlety she was simultaneously employing all the dialects of the Barbarians in order to appease their anger. To the Greeks she spoke Greek; then she turned to the Ligurians, the Campanians, the Negroes, and listening to her each one found again in her voice the sweetness of his native land. She now, carried away by the memories of Carthage, sang of the ancient battles against Rome; they applauded. She kindled at the gleaming of the naked swords, and cried aloud with outstretched arms. Her lyre fell, she was silent; and, pressing both hands upon her heart, she remained for some minutes with closed eyelids enjoying the agitation of all these men.