Carthage (Extinct city) -- History -- Fiction; Historical fiction
It was the period at which the doves of Carthage migrated to Sicily to
the mountain of Eryx and the temple of Venus. For several days before
their departure they sought out and called to one another so as to
collect together; at last one evening they flew away; the wind blew them
along, and the big white cloud glided across the sky high above the sea.
The horizon was filled with the colour of blood. They seemed to descend
gradually to the waves; then they disappeared as though swallowed up,
and falling of themselves into the jaws of the sun. Salammbô, who
watched them retiring, bent her head, and then Taanach, believing that
she guessed her sorrow, said gently to her:
“But they will come back, Mistress.”
“Yes! I know.”
“And you will see them again.”
“Perhaps!” she said, sighing.
She had not confided her resolve to any one; in order to carry it out
with the greater discretion she sent Taanach to the suburb of Kinisdo to
buy all the things that she required instead of requesting them from the
stewards: vermilion, aromatics, a linen girdle, and new garments. The
old slave was amazed at these preparations, without daring, however,
to ask any questions; and the day, which had been fixed by Schahabarim,
arrived when Salammbô was to set out.
About the twelfth hour she perceived, in the depths of the sycamore
trees, a blind old man with one hand resting on the shoulder of a child
who walked before him, while with the other he carried a kind of cithara
of black wood against his hip. The eunuchs, slaves, and women had
been scrupulously sent away; no one might know the mystery that was
preparing.
Taanach kindled four tripods filled with strobus and cardamomum in the
corners of the apartment; then she unfolded large Babylonian hangings,
and stretched them on cords all around the room, for Salammbô did not
wish to be seen even by the walls. The kinnor-player squatted behind
the door and the young boy standing upright applied a reed flute to
his lips. In the distance the roar of the streets was growing feebler,
violet shadows were lengthening before the peristyles of the temples,
and on the other side of the gulf the mountain bases, the fields of
olive-trees, and the vague yellow lands undulated indefinitely, and were
blended together in a bluish haze; not a sound was to be heard, and an
unspeakable depression weighed in the air.
Salammbô crouched down upon the onyx step on the edge of the basin; she
raised her ample sleeves, fastening them behind her shoulders, and began
her ablutions in methodical fashion, according to the sacred rites.
Next Taanach brought her something liquid and coagulated in an alabaster
phial; it was the blood of a black dog slaughtered by barren women on a
winter’s night amid the rubbish of a sepulchre. She rubbed it upon
her ears, her heels, and the thumb of her right hand, and even her nail
remained somewhat red, as if she had crushed a fruit.
The moon rose; then the cithara and the flute began to play together.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account