Carthage (Extinct city) -- History -- Fiction; Historical fiction
Salammbô unfastened her earrings, her necklace, her bracelets, and her
long white simar; she unknotted the band in her hair, shaking the latter
for a few minutes softly over her shoulders to cool herself by thus
scattering it. The music went on outside; it consisted of three notes
ever the same, hurried and frenzied; the strings grated, the flute blew;
Taanach kept time by striking her hands; Salammbô, with a swaying of
her whole body, chanted prayers, and her garments fell one after another
around her.
The heavy tapestry trembled, and the python’s head appeared above
the cord that supported it. The serpent descended slowly like a drop
of water flowing along a wall, crawled among the scattered stuffs, and
then, gluing its tail to the ground, rose perfectly erect; and his eyes,
more brilliant than carbuncles, darted upon Salammbô.
A horror of cold, or perhaps a feeling of shame, at first made her
hesitate. But she recalled Schahabarim’s orders and advanced; the
python turned downwards, and resting the centre of its body upon the
nape of her neck, allowed its head and tail to hang like a broken
necklace with both ends trailing to the ground. Salammbô rolled it
around her sides, under her arms and between her knees; then taking it
by the jaw she brought the little triangular mouth to the edge of her
teeth, and half shutting her eyes, threw herself back beneath the rays
of the moon. The white light seemed to envelop her in a silver mist, the
prints of her humid steps shone upon the flag-stones, stars quivered in
the depth of the water; it tightened upon her its black rings that were
spotted with scales of gold. Salammbô panted beneath the excessive
weight, her loins yielded, she felt herself dying, and with the tip
of its tail the serpent gently beat her thigh; then the music becoming
still it fell off again.
Taanach came back to her; and after arranging two candelabra, the lights
of which burned in crystal balls filled with water, she tinged the
inside of her hands with Lawsonia, spread vermilion upon her cheeks, and
antimony along the edge of her eyelids, and lengthened her eyebrows with
a mixture of gum, musk, ebony, and crushed legs of flies.
Salammbô seated on a chair with ivory uprights, gave herself up to the
attentions of the slave. But the touchings, the odour of the aromatics,
and the fasts that she had undergone, were enervating her. She became so
pale that Taanach stopped.
“Go on!” said Salammbô, and bearing up against herself, she
suddenly revived. Then she was seized with impatience; she urged Taanach
to make haste, and the old slave grumbled:
“Well! well! Mistress!—Besides, you have no one waiting for you!”
“Yes!” said Salammbô, “some one is waiting for me.”
Taanach drew back in surprise, and in order to learn more about it,
said:
“What orders to you give me, Mistress? for if you are to remain
away—”
But Salammbô was sobbing; the slave exclaimed:
Public-domain text, read in full here on John Shaqi.
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