Carthage (Extinct city) -- History -- Fiction; Historical fiction
This first barrier enclosed a wood of plane-trees as a precaution
against plague and infection in the air. Tents were scattered here
and there, in which, during the daytime, depilatory pastes,
perfumes, garments, moon-shaped cakes, and images of the goddess with
representations of the temple hollowed out in blocks of alabaster, were
on sale.
They had nothing to fear, for on nights when the planet did not appear,
all rites were suspended; nevertheless Matho slackened his speed, and
stopped before the three ebony steps leading to the second enclosure.
“Forward!” said Spendius.
Pomegranate, almond trees, cypresses and myrtles alternated in regular
succession; the path, which was paved with blue pebbles, creaked beneath
their footsteps, and full-blown roses formed a hanging bower over the
whole length of the avenue. They arrived before an oval hole protected
by a grating. Then Matho, who was frightened by the silence, said to
Spendius:
“It is here that they mix the fresh water and the bitter.”
“I have seen all that,” returned the former slave, “in Syria, in
the town of Maphug”; and they ascended into the third enclosure by a
staircase of six silver steps.
A huge cedar occupied the centre. Its lowest branches were hidden
beneath scraps of material and necklaces hung upon them by the faithful.
They walked a few steps further on, and the front of the temple was
displayed before them.
Two long porticoes, with their architraves resting on dumpy pillars,
flanked a quadrangular tower, the platform of which was adorned with
the crescent of a moon. On the angles of the porticoes and at the four
corners of the tower stood vases filled with kindled aromatics. The
capitals were laden with pomegranates and coloquintidas. Twining knots,
lozenges, and rows of pearls alternated on the walls, and a hedge of
silver filigree formed a wide semicircle in front of the brass staircase
which led down from the vestibule.
There was a cone of stone at the entrance between a stela of gold and
one of emerald, and Matho kissed his right hand as he passed beside it.
The first room was very lofty; its vaulted roof was pierced by
numberless apertures, and if the head were raised the stars might be
seen. All round the wall rush baskets were heaped up with the first
fruits of adolescence in the shape of beards and curls of hair; and in
the centre of the circular apartment the body of a woman issued from a
sheath which was covered with breasts. Fat, bearded, and with eyelids
downcast, she looked as though she were smiling, while her hands were
crossed upon the lower part of her big body, which was polished by the
kisses of the crowd.
Then they found themselves again in the open air in a transverse
corridor, wherein there was an altar of small dimensions leaning against
an ivory door. There was no further passage; the priests alone could
open it; for the temple was not a place of meeting for the multitude,
but the private abode of a divinity.
Public-domain text, read in full here on John Shaqi.
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