"He would pronounce the word _damne_ with such an emphasis as left a doleful echo in his auditors' ears a good while after. And, when catechist of Christ's College, in expounding the Commandments, applied them so home,—able almost to make his hearers' hearts fall down, and hairs to stand upright. But, in his older age, he altered his voice, and remitted much of his former rigidness, often professing that to preach mercy was that proper office of the ministers of the gospel."—"Our Perkins brought the schools into the pulpit, and, unshelling their controversies out of their hard school-terms, made thereof plain and wholesome meat for his peo[i.363]ple; for he had a capacious head, with angles winding, and roomy enough to lodge all controversial intricacies."—"He had a rare felicity in speedy reading of books; so that, as it were, riding post through an author, he took strict notice of all passages. Perusing books so speedily, one would think he read nothing; so accurately, one would think he read all." An octavo volume, written by this great scholar and divine, was published at Cambridge in England, under the title, "Discourse of the Damned Art of Witchcraft." It went through several editions, and had a wide and permanent circulation. This work, the character of which is sufficiently indicated in its emphatic title, was the great authority on the subject with our fathers; and Mr. Parris had a copy of it in his possession when the proceedings in reference to witchcraft began at Salem Village. John Gaule published an octavo volume in London, in 1646, entitled, "Select Cases of Conscience concerning Witches and Witchcraft." He is one of the most exact writers on the subject, and arranges witches in the following classes: "1. The diviner, gypsy, or fortune-telling witch; 2. The astrologian, star-gazing, planetary, prognosticating witch; 3. The chanting, canting, or calculating witch, who works by signs and numbers; 4. The venefical, or poisoning witch; 5. The exorcist, or conjuring witch; 6. The gastronomic witch; 7. The magical, speculative, sciential, or arted witch; 8. The necromancer." Besides innumerable writers of this class, who spread out the scholastic learning on the subject,[i.364] and presented it in a logical and theological form, there were others who treated it in a more popular style, and invested it with the charms of elegant literature. Henry Hallywell published an octavo in London, in 1681, in which, while the main doctrines of witchcraft as then almost universally received are enforced, an attempt was made to divest it of some of its most repulsive and terrible features. He gives the following account of the means by which a person may place himself beyond the reach of the power of witchcraft:—