Salem Witchcraft, Volumes I and II: With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred SubjectsUpham, Charles Wentworth
History
Salem Witchcraft, Volumes I and II: With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred Subjects
Upham, Charles Wentworth
Salem (Mass.) -- History -- Colonial period, ca. 1600-1775; Witchcraft -- Massachusetts -- Salem -- History -- 17th century
The opening of a wilderness combined circumstances of interest which
are not, perhaps, equalled in any other occupation. It is impossible to
imagine a[i.28] more exhilarating or invigorating employment. It
developed the muscular powers more equally and effectively than any
other. The handling of the axe brought into exercise every part of the
manly frame. It afforded room for experience and skill, as well as
strength; it was an athletic art of the highest kind, and awakened
energy, enterprise, and ambition; it was accompanied with sufficient
danger to invest it with interest, and demand the most careful judgment
and observation. He who best knew how to fell a tree was justly looked
upon as the most valuable and the leading man. To bring a tall giant of
the woods to the ground was a noble and perilous achievement. As it
slowly trembled and tottered to its fall, it was all-important to give
it the right direction, so that, as it came down with a thundering
crash, it might not be diverted from its expected course by the
surrounding trees and their multifarious branches, or its trunk slide
off or rebound in an unforeseen manner, scattering fragments and
throwing limbs upon the choppers below. Accidents often, deaths
sometimes, occurred. A skilful woodman, by a glance at the surrounding
trees and their branches, could tell where the tree on which he was
about to operate should fall, and bring it unerringly to the ground in
the right direction. There was, moreover, danger from lurking savages;
and, if the chopper was alone in the deep woods, from the prowling
solitary bear, or hungry wolves, which, going in packs, were sometimes
formidable. There were elements also, in the work, that awakened[i.29]
the finer sentiments. The lonely and solemn woods are God's first
temples. They are full of mystic influences; they nourish the poetic
nature; they feed the imagination. The air is elastic, and every sound
reverberates in broken, strange, and inexplicable intonations. The
woods are impregnated with a health-giving and delightful fragrance
nowhere else experienced. All the arts of modern luxury fail to produce
an aroma like that which pervades a primitive forest of pines and
spruces. Indeed, all trees, in an original wilderness, where they exist
in every stage of growth and decay, contribute to this peculiar charm
of the woods. It was not only a manly, but a most lively, occupation.
When many were working near each other, the echoes of their voices of
cheer, of the sharp and ringing tones of their axes, and of the heavy
concussions of the falling timber, produced a music that filled the old
forests with life, and made labor joyous and refreshing.
Public-domain text, read in full here on John Shaqi.
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