It was half a sob, half a laugh, and, half sobbing, half laughing, the young man stopped his horse on the crest of the Tigmore Hills, in the Ozark Uplift, raised in his stirrups, and looked the country through and through, as though he must see into its very heart. In the brilliant mid-afternoon light the Southwest unrolled below him and around him in a ragged bigness and an unconquered loneliness. As far as eye could reach tumbled the knobs, the flats, the waste weedy places, the gullies, the rock-pitted sweeps of table-land and the timbered hills of the Uplift. The buffalo grass trembled across the lowlands in long, shaking billows that had all the effect of scared flight. From the base of the Tigmores a line of river bottom stretched westward, and beyond the bottom curved a pale, quiet river. In the distance wraiths of blue smoke falteringly bespoke the presence of people and cabins; on a cleared hill an object that might be horse or dog or man was silhouetted, small and vague; and in the farthest west the hoister of a deserted zinc mine cut up against the sky a little lonely way. The near and dominant things were constantly those tremulous, fleeing billows of grass, the straight strong trees, the sullen rocks, the silent, shivering water. "_Hoo-ee-ow!_" It was too vast, too urgent. Waiting, ready, it lay there aggressively, like a challenge. As the young man faced it, it claimed him, forcing back his past life, his old habits, his old haunts, into the realm of myth and moonshine. His old habits! His old haunts! They hung aloof in his consciousness, shadow pictures, colourless and remote.... That zestful young life at New Haven, the swift years of it, the fine last day of it, Yale honours upon him, his enthusiasms cutting away into the future, his big shoulders squared, his face set toward great things, the righting of wrongs, grand reforms, the careers of nations.... A bachelor hotel; a club whose windows looked out on the avenue; an office where Carington and he had pretended to work down on Nassau Street; drawing-rooms where Carington and he had pretended to be in love, on various streets; the whole gay, meaningless panorama of his life as a homeless, unplaced New York sojourner, who had considered that he had too much money to be anything seriously and too little money to do anything effectively.... Then another picture, jerking, mazy, a study in kinematics--"Crazy Monday" on the Street, Carington and he swept along in that day's whirlwind of speculation.... A blank in the panorama while he got used to things and thought things out.... Then a wintry twilight at the club, Carington and he by the window, talking it over, looking out upon the drifted light of the city, loving the city, in the way of New Yorkers. Then Carington's voice saying, "Bruce? Bruce, m' son? Why don't you try Missouri?" Saying it with that in his voice to indicate that there was nothing else left to try. Then the long thoughtful talk,