When the two men had left her, the girl moved over to the plate-glass
window and watched Steering, a little smile on her lips, an adequate
enjoyment of his undoing dancing mercilessly in her long amber-hued
eyes.
Steering stopped behind Madeira at the door of the recorder's office
and, looking back at the plate-glass window unexpectedly, saw the girl's
eyes fixed demurely on the floor where her boot showed under the hem of
her long straight gown. It was a very little moment that they stood
thus, he with his eyes on her, she with her eyes on her boot, but it was
an electric moment. With him it was a cycle of self-abuse for the
unadvised rot that he had talked to Piney, an era of gratitude to Piney
for being the sort who would not report any of it to Miss Madeira. (Even
so little did Steering understand that a boy like Piney would
necessarily have to tell a woman like Miss Madeira about all that he
knew; tell it exuberantly, bubblingly, without ever being quite
conscious that he was telling anything.) Steering followed Madeira
inside the recorder's office slowly, and the girl went on standing at
the plate-glass window, studying her foot.
"Yes, indeed, sir," she began calling to him soundlessly, and broke off
abruptly and stood there at the window for a time, motionless and
thoughtful. She was a tall girl, of a broad-shouldered, athletic type, a
college girl by the sign of the austere cut of her gown, but a western
girl by the sign of the flying ends of the scarf about her throat, the
unafraid looseness of her bright hair. Her face, lit by her amber eyes
and crowned by those loose masses of hair, had a rare, dusky-gold
beauty. Despite her hair she was dark-skinned, smooth and warm like
bisque, and that same gold-dusted radiance that was in her hair and that
same amber-gold light that was in her eyes glowed ineffably from beneath
her skin. She was a pulse of light, colourful and vibrant. "Yes, indeed,
sir," she resumed after a while, jabbing the hat-pin into the hat
relentlessly, "_this_ is what a Missouri girl is like!"
_Chapter Four_
FOR THE BENEFIT OF CARINGTON
My dear Carry:
I should have written you sooner, save that the developments here have
given me so little that is pleasant to write about. My experience with
Grierson's agent has been too exasperating for description, and I should
have given up and have got out at once had it not been for the Missouri
in me, and had I not got a feeling of encouragement from other
experiences.
Public-domain text, read in full here on John Shaqi.
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