"Why," she took his hand and led him forward through a tangle of rose-bushes; she would not look at him, but the bewildering sweetness of her hair, her gown, the curve of her cheek came back to him--"why _poor_ Piney?" She was guiding him to a bench of twisted grape-vines from which they might look down upon the river. "Sit down," she said, "and tell me why poor Piney?" "Well," he sat down and looked at the river, half-frowning, "it has seemed to me--I've had a notion--oh, I don't know. I suppose it is not poor Piney after all." "Tell me," she insisted, "tell me what you started to tell me." "Well, it has seemed to me ever since I first met Piney that he was in the way of trouble," he dashed on more abruptly, thinking only of Piney for a moment--"I have come to love that boy. I find myself clinging to him. I think it is because he stands to me for the spirit of my own boyhood; perhaps that, perhaps because he stands for the spirit of the woods he loves; because he stands for simplicity, honesty, spontaneity. At any rate he is rare, what with his musical gift and his high melody of living--and--oh well, I've sometimes felt sorry that he is not all wood-spirit, that he is part human." The characteristics that had made Steering stand too determinedly to suit Crittenton Madeira made him forge ahead determinedly now. "Piney would be apt to suffer less if he were wholly the sylvan, irresponsible creature, the faun, he sometimes seems to be. But, alas, Piney has a man's heart, Miss Madeira. He will have to suffer for that, for he will have to love. That's why 'poor' Piney; because he will have to love." "Would that be so terrible?" The flash from the amber eyes that she turned up to him made the world go zig-zagging through a long space while Steering looked on with a great tremulous intake of breath. Then he steadied again to what he wanted to say to her and could say to her for Piney's sake. "It would be for Piney. Piney is going to love hopelessly," he saw that a little shiver caught her and he was glad of it. "Yes, it would be terrible to love hopelessly, wouldn't it?" he said, to strengthen his hidden appeal for Piney. He wanted to make her realise what she was doing for Piney, realise that for sheer kindness, kindness as to a dumb thing, she should never let the lad come near her. He had forgotten the woman in her when he began to formulate that appeal. She laughed a light, mocking laugh. "I believe that you think that Piney loves me!" she cried. "Piney, the spirit of the oaks! the song of the night-wind! Piney suffer! Piney love!" Steering was sorry to hear the note of evasion in her voice. No woman, he remembered, too late, could be brought to treat man's love or boy's love quite honestly. His eyes clouded. He felt masculinely, sanely sympathetic with Piney. "I wish," he said gloomily, "that you would sometimes put yourself in the place of a man who loves you, put yourself in Piney's place."