"Ah, but the work, the beautiful work!" cried the painter. "Well, as for me, do you know, I've come to believe that my work is just living--for a time anyhow." "Well, then, the fame!" cried the painter. "I don't seem to care for the fame." It had gone much like that with her music. She had a fine voice, and her New York teacher had told her over and over that she "must go on." She had been pleased with his praise and had worked hard for a time. Then she had gone to him, too, one day, open-eyed and inquiring. "Go on to what?" she had asked. "Why, to glory," the singer had said. She had shaken her head, unconvinced. "I don't seem to care for the glory," she had said. And beyond learning to use her voice well she would not work with it. "It is not that I am lazy," she had protested to the singer, "but I couldn't get what's in life for me out of it by singing." "What's in life for you?" queried the singer, interested, for the girl was beautiful and rich and aspirant. "Ah, I don't quite know yet," said the girl, the pretty pathos of youth and waiting upon her, "but some day I shall find myself; then I shall know." All through her college days she had been looking for herself. When the time had come that she had gone to Elsie Gossamer's house to visit, and there had met men--college boys at first and later on men of a larger world--she had still been looking for herself. But though in the meantime she had learned how to meet men and how to treat them--capably, Elsie Gossamer said--she had not found herself. During the past summer, since her return from college, she had idled on here through a little interim with her father, comfortable, dreamy, waiting, seeking. But she had not found herself. As she began to make ready for bed that Sunday night she had, suddenly and subtly, a quiver of consciousness that the waiting and the seeking were nearly over. Just how she knew it she could not have told, or just what she meant by knowing it, or just what would happen because of knowing it. Moving about the large room softly, her harmonious strength and grace were revealed in the swing of her long lithe limbs, the reach of her satiny brown arms, the breadth of her sweet smooth breast, the straightness and firmness of her tall frame. Only a self-reliant girl could have moved as she moved, a girl made self-reliant by exuberant health and ideals and hope. When she stopped moving about and stood before her mirror, her hand on the great rope of shining hair that hung over her shoulder, her body assumed a rare natural poise, classically, ancestrally beautiful, Grecian. By and by she roused from the little reverie before the mirror, put out the light, and came over to the window. "Oh," she cried at once, "that was what was the matter with me, that was why I felt that something was about to happen! It was the storm!"