Salt mines and castles: The discovery and restitution of looted European artHowe, Thomas Carr
History
Salt mines and castles: The discovery and restitution of looted European art
Howe, Thomas Carr
Art -- Europe; World War, 1939-1945 -- Art and the war; World War, 1939-1945 -- Confiscations and contributions
“As for Munich,” he continued, “repositories are springing up like
mushrooms all through Bavaria. Most of it is loot and we’re going to have
to set up some kind of depot where we can put the things until they can
be returned to the countries from which the Nazis stole them.”
“What are your plans?” I asked.
“Well, if the trucks show up,” he said, “I want to get started for Siegen
this afternoon. That’s in Westphalia. It’s another mine—copper, not
salt—and it’s full of things from the Rhineland museums. I’ve got to take
them up to Marburg. We have two good depots there.”
We lunched with George and then returned to Bad Homburg. There wasn’t
anything for us to do but wait around until we heard from Captain La
Farge. To fill in the time we took our German books and spent the
afternoon studying in the Kurpark.
The telephone was ringing in the entrance lobby as we walked in at five.
It was Captain La Farge. He had just returned and wanted to see us at
once. I said I didn’t know whether we could get transportation. He
chuckled and said, “Tell them a general wants to see you.” Craig and I
dashed over to the Transportation Office and tried it out. It worked.
So, for the second time that day, we found ourselves on the road to
Wiesbaden.
Captain La Farge was waiting for us in the office where we had seen
George that morning. He was a tall, slender man in his early forties.
With a high-domed head and a long, rather narrow face, he was the classic
New Englander. His eyes were hazel and, at that first meeting, very
weary. But he had one of the most ingratiating smiles and one of the
most pleasant voices I had ever heard. He reminded me of an early Copley
portrait.
Without much preamble he launched into a detailed explanation of the
plans he had for us.
“I want you to take over the Frankfurt job,” he said to me, “and I am
sending you down to Munich, Smyth. As George probably told you, we’ve
got to set up two big depots. The one in Frankfurt will be mainly for
German-owned art which is now coming in from repositories all over this
part of Germany. The one in Munich will be chiefly for loot, though there
will be German-owned things down in Bavaria too. Both jobs are equally
interesting, equally important and, above all, equally urgent.”
We were to get started without delay. Craig would be attached to the
Regional Military Government office in Munich, I to the Military
Government Detachment in Frankfurt. Captain La Farge suggested that I
investigate the possibility of requisitioning the university buildings
for a depot, and advised Craig to consider one of the large Nazi party
buildings in Munich which he had been told was available.
Public-domain text, read in full here on John Shaqi.
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