Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
A largely added interest might have been given to samplers had a fashion
arisen of lettering them with some historical occurrence which was then
stirring the locality, but unfortunately their makers very rarely rose to
so much originality. Three rare instances were to be seen in The Fine Art
Society's Exhibition. These, curiously enough, came together from
different parts of the country--one from Nottingham, a second from
Hockwold, Norfolk, and the third from the author's collection in
London--but they were worked by two persons only, one by Mary Minshull,
and two by Martha Wright. They are all unusual in their form of decoration
(as will be seen by that illustrated in Fig. 38), and were practically
similar in design, colour, and execution, each having a set of single
pinks worked in high relief in the centre of the sampler. Their presence
together was certainly a testimony to the all-embracing character of
the Exhibition. The inscriptions upon them were as follows:--
(1) "The Prince of Orang landed in the West of England on the 5th of
November 1688, and on the 11th April 1689 was crowned King of England,
and in the year 1692 the French came to invade England, and a fleet of
ships sent by King William drove them from the English seas, and took,
sunk, and burned twenty-one of their ships."--Signed "_Martha Wright,
March 26th, 1693_."
(2) "There was an earthquake on the 8th September 1692 in the City of
London, but no hurt tho it caused most part of England to
tremble."--Signed "_Mary Minshull_."
[Illustration: PLATE XII.--SAMPLER BY ANN MARIA WIGGINS. 19TH CENTURY.
_Mrs C. J. Longman._
This "Goldfinch" Sampler was one of the most elaborate Samplers in the
Bond Street Exhibition, and is really a wonderful production for a child
of seven years of age. It was probably made early in the nineteenth
century.]
The third was a combination of the two inscriptions.
Nothing of a similar character in work of the eighteenth century has come
under my notice, but the Peace of 1802 produced the following lines on a
sampler:--
"Past is the storm and o'er the azure sky serenely shines the sun
With every breeze the waving branches nod their kind assent."
ON PEACE
"Hail England's favor'd Monarch: round thy head
Shall Freedom's hand Perennial laurels spread.
Fenc'd by whose sacred leaves the royal brow
Mock'd the vain lightnings aim'd by Gallic foe
Alike in arts and arms illustrious found
Proudly Britannia sits with laurel crown'd
Invasion haunts her rescued Plains no more
And hostile inroads flies her dangerous shore
Where'er her armies march her ensigns Play
Fame points the course and glory leads the way.
* * * * *
O Britain with the gifts of Peace thou'rt blest
May thou hereafter have Perpetual rest
And may the blessing still with you remain
Nor cruel war disturb our land again.
Public-domain text, read in full here on John Shaqi.
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