Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
"Flowers, Plants and Fishes,
Beasts, Birds, Flyes and Bees,
Hills, Dales, Plains, Pastures,
Skies, Seas, Rivers, Trees,
There's nothing ne'er at hand or farthest sought
But with the needle may be shap'd and wrought."
It would seem from the foregoing that the volumes would be of more profit
to the worker of embroidered pictures than to sampler-makers, and this was
no doubt the case; for when the former went out of fashion, the books
dealing with the subject disappeared too, and nothing further of any note
was published, except in the beginning of the last century, when the
National Schools were furnished with manuals which dealt more with plain
sewing than with decorative needlework.
The Last of the Samplers
I can hardly close my remarks upon the entertaining subject, the
elucidation of and material for which has filled many spare hours, without
a word of regret at having to pen the elegy of the sampler.
It may be said that even so long ago as the era of the _Spectator_ there
were those who sounded its death knell, and who considered that the days
when a lady crowded a thousand graces on to the surface of a garter were
gone for ever. For did it not go to the heart of one of Mr Spectator's
correspondents to see a couple of idle flirts sipping their tea for a
whole afternoon, in a room hung round with the industry of their
great-grandmothers, and did he not implore that potentate to take the
laudable mystery of embroidery into his serious consideration?
But even then there were matrons who upheld the craft, and of whom an
epitaph could be written that "she wrought the whole Bible in tapestry,
and died in a good old age after having covered three hundred yards of
wall in the Mansion House." Besides, the samplers themselves show that the
industry, if not the Art, continued all through that century and for at
least half of the nineteenth.
The decadence of the sampler has never been more tenderly or pathetically
dealt with than in the description given of the dame's school in the
sketch entitled "Lucy," in Miss Mitford's "Our Village."[9]
Public-domain text, read in full here on John Shaqi.
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