Samuel Boyd of Catchpole Square: A MysteryFarjeon, B. L. (Benjamin Leopold)
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Samuel Boyd of Catchpole Square: A Mystery
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; London (England) -- Fiction
The day's work over, Abel Death sat awhile so deep in thought and so
still and quiet that he might have been taken for one of the inanimate
objects in this strangely furnished apartment. He had removed the
candles from the desk to the table, where they flickered in the
draught of a broken window, into which some rags had been thrust to
keep out the wind. Within the radius of the flickering light the
shadows on the walls and ceiling grew more weird and grotesque, each
gust of air creating insubstantial forms and shapes as monstrous as
the fancies of a madman's brain. Catchpole Square was a blind
thoroughfare--being, as has been elsewhere described, like a bottle
with a very narrow neck to it--and was therefore undisturbed by the
tumult of the city's streets; and the prevailing silence, in which
there was something deathly, was broken only by the sobbing and
moaning of the rising wind which, having got into the Square, was
making despairing efforts to get out. These sounds were in unison with
the spectral life within the house, which seemed to find
interpretation in the mystic voices of the air. It might have been so
in very truth, for what know we of the forces of the invisible world
through which we move and play our parts in the march from the cradle
to the grave? Unfathomable mystery encompasses and mocks us, and no
man can foretell at what moment he may be struck down and all his
castles overturned, and all his plans for good or evil destroyed.
Abel Death started to his feet. A stealthy step was on the stairs. The
man coming up paused three or four times either to get his breath or
for some other purpose; and presently he entered the room.
Mr. Samuel Boyd was a tall man, and bore a close resemblance to his
son in certain expressions of countenance and in certain little
mannerisms of gesture which in the younger man were indications of an
open-hearted nature, and in the elder of a nature dominated by craft
and cunning.
"You're back in time, sir," said Abel Death, in a cringing tone.
Mr. Boyd made no immediate reply, being employed in looking
distrustfully around to convince himself that nothing had been removed
or disturbed. Even when he was assured of this the look of distrust
did not die out of his eyes.
"Are the letters all written?" he inquired, seating himself at the
table.
"They are, sir."
"Have you posted up the books?"
"Yes, sir. Everything is done."
"Has any one called?"
"No one, sir," promptly replied Abel Death.
"Any knocks at the street door?"
"No, sir."
"You lie! There was a letter in the box."
Abel Death's lips shaped themselves into the word, "Beast!"
"What did you say?" demanded Mr. Boyd, upon whom no movement on the
part of his servant, however slight, was lost.
"I was going to say that the postman was no business of mine."
"You are getting too clever, Abel Death--too clever, too clever! The
men I employ must do their work without spying, without blabbing,
without lying."
Public-domain text, read in full here on John Shaqi.
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