This hospitable reception seemed a good omen, for, sensible as he was,
he believed in presentiments and prognostics. He entered without waiting
to be urged. When he had crossed the lawn he stood facing two detached
buildings, separated by a mass of verdure: to the right, an old
summer-house, used from time immemorial for M. Moriaz’s collections,
laboratory, and library; to the left, a new two-story house, part stone,
part brick, built in an elegant but unobtrusive style, without ornament
or pretension, and flanked by a turret covered with ivy and clematis,
which served for a dove-cote. The house was not a palace, but there was
an air about it of well-being, comfort, and happiness. In looking at
it you felt like saying, “The inmates here ought to be happy!” This was
about what Count Abel said to himself; in fact, he could hardly refrain
from exclaiming, “Dieu! how happy I shall be here!” The situation, the
terrace, the garden, everything pleased him infinitely. It seemed to him
that the air here was fresher, more delightful than elsewhere, that it
was exhilarating in the extreme; it seemed to him that the grass on
the lawn was greener than any grass he ever had seen before, that the
flowers in the carefully tended borders exhaled an unusually delicious
perfume. He espied an open window on the ground-floor. He drew near it;
the room into which he gazed, full of _bric-a-brac_ of exquisite choice,
was Mlle. Moriaz’s study. There was in the appearance of this little
sanctuary, hung with white silken drapery, and as elegant as the
divinity whose favourite tarrying-place it was, something of purity,
chastity, and maidenliness. It opened its windows to the fresh breezes
and to the perfume of the flowers; but it seemed as if nothing could
penetrate there that was coarse or suspicious; that the entrance was
forbidden to all doubtful or malignant beings who might have a secret
crime to hide, to all pilgrims through life who had travelled its
highways and had brought hence dust and mud on the soles of their
shoes. Strange to say, Count Abel experienced an attack of timidity and
embarrassment. He felt that he was indiscreet; he averted his eyes and
went away.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account