Butler, Samuel, 1835-1902; Novelists, English -- 19th century -- Biography
But the time saved from society was not all devoted to painting. He
modified his letter to the _Press_ about "Darwin among the Machines" and,
so modified, it appeared in 1865 as "The Mechanical Creation" in the
_Reasoner_, a paper then published in London by Mr. G. J. Holyoake. And
his mind returned to the considerations which had determined him to
decline to be ordained. In 1865 he printed anonymously a pamphlet which
he had begun in New Zealand, the result of his study of the Greek
Testament, entitled _The Evidence for the Resurrection of Jesus Christ as
given by the Four Evangelists critically examined_. After weighing this
evidence and comparing one account with another, he came to the
conclusion that Jesus Christ did not die upon the cross. It is
improbable that a man officially executed should escape death, but the
alternative, that a man actually dead should return to life, seemed to
Butler more improbable still and unsupported by such evidence as he found
in the gospels. From this evidence he concluded that Christ swooned and
recovered consciousness after his body had passed into the keeping of
Joseph of Arimathaea. He did not suppose fraud on the part of the first
preachers of Christianity; they sincerely believed that Christ died and
rose again. Joseph and Nicodemus probably knew the truth but kept
silence. The idea of what might follow from belief in one single
supposed miracle was never hereafter absent from Butler's mind.
In 1869, having been working too hard, he went abroad for a long change.
On his way back, at the Albergo La Luna, in Venice, he met an elderly
Russian lady in whose company he spent most of his time there. She was
no doubt impressed by his versatility and charmed, as everyone always
was, by his conversation and original views on the many subjects that
interested him. We may be sure he told her all about himself and what he
had done and was intending to do. At the end of his stay, when he was
taking leave of her, she said:
"Et maintenant, Monsieur, vous allez creer," meaning, as he understood
her, that he had been looking long enough at the work of others and
should now do something of his own.
Public-domain text, read in full here on John Shaqi.
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