"There is nothing new in New York; everybody is driving after money, as usual, and there is an alarm of fire every half-hour, as usual, and the pigs have the freedom of the city, as usual; so that, in these respects at least, you will find New York as you left it, except that they are not the same people that are driving after money, nor the same houses burnt, nor the same pigs at large in the street.... You will all be welcomed home, but come prepared to find many, very many things in taste and manners different from your own good taste and manners. Good taste and good manners would not be conspicuous if all around possessed the same manners." CHAPTER XXII 1833--1836 Still painting.--Thoughts on art.--Picture of the Louvre.--Rejection as painter of one of the pictures in the Capitol.--John Quincy Adams.--James Fenimore Cooper's article.--Death blow to his artistic ambition.-- Washington Allston's letter.--Commission by fellow artists.--Definite abandonment of art.--Repayment of money advanced.--Death of Lafayette.-- Religious controversies.--Appointed Professor in University of City of New York.--Description of first telegraphic instrument.--Successful experiments.--Relay.--Address in 1853. It was impossible for the inventor during the next few years to devote himself entirely to the construction of a machine to test his theories, impatient though he must have been to put his ideas into practical form. His two brothers came nobly to his assistance, and did what lay in their power and according to their means to help him; but it was always repugnant to him to be under pecuniary obligations to any one, and, while gratefully accepting his brothers' help, he strained every nerve to earn the money to pay them back. We, therefore, find little or no reference in the letters of those years to his invention, and it was not until the year 1835 that he was able to make any appreciable progress towards the perfection of his telegraphic apparatus. The intervening years were spent in efforts to rouse an interest in the fine arts in this country; in hard work in behalf of the still young Academy of Design; and in trying to earn a living by the practice of his profession. "During this time," he says, "I never lost faith in the practicability of the invention, nor abandoned the intention of testing it as soon as I could command the means." But in order to command the means, he was obliged to devote himself to his art, and in this he did not meet with the encouragement which he had expected and which he deserved. His ideals were always high, perhaps too high for the materialistic age in which he found himself. The following fugitive note will illustrate the trend of his thoughts, and is not inapplicable to conditions at the present day:--