Samuel Richardson's Introduction to Pamela — John Shaqi
Samuel Richardson's Introduction to PamelaRichardson, Samuel
General
Samuel Richardson's Introduction to Pamela
Richardson, Samuel
Richardson, Samuel, 1689-1761. Pamela
IF to teach the Man of _Fortune_ how to use it; the Man of _Passion_ how
to subdue it; and the Man of _Intrigue_, how, gracefully, and with
Honour to himself, to _reclaim_:
IF to give _practical_ Examples, worthy to be followed in the most
_critical_ and _affecting_ Cases, by the [_del._ 5th] {modest} _Virgin_,
the [_del._ 5th] {chaste} _Bride_, and the [_del._ 5th] {obliging}
_Wife_:
IF to effect all these good Ends, [_del._ 8th] {in so probable, so
natural, so _lively_ a manner, as shall engage the Passions of every
sensible Reader, and strongly interest them in the edifying Story:
AND all} without raising a single _Idea_ throughout the Whole, that
shall shock the exactest Purity, even in those tender Instances where
the exactest Purity would be most apprehensive:
IF these [_del._ 5th] {, (embellished with a great Variety of
entertaining Incidents)} be laudable or worthy Recommendations of any
Work, the Editor of the following Letters, which have their Foundation
in _Truth_ [_del._ 8th] {and _Nature_}, ventures to assert, that all
these desirable Ends are obtained [8th, change 1.] {in these Sheets: And
as he is therefore confident of the favourable Reception which he boldly
bespeaks for this little Work; he thinks any _further Preface_ or
_Apology_ for it, unnecessary: And the rather for two Reasons, 1st.
Because he can Appeal from _his own_ Passions, (which have been
uncommonly _moved_ in perusing these engaging Scenes) to the Passions of
_Every one_ who shall read them with the least Attention: And, in the
next place, because an _Editor_ may reasonably be supposed to judge with
an Impartiality which is rarely to be met with in an _Author_ towards
his own Works.}
The Editor.
To the Editor of the Piece intitled, PAMELA; or, _VIRTUE Rewarded_.
_Dear SIR,_
I have had inexpressible Pleasure in the Perusal of your PAMELA. It
intirely answers the Character you give of it in your Preface; nor have
you said one Word too much in Commendation of a Piece that has
Advantages and Excellencies peculiar to itself. For, besides the
beautiful Simplicity of the Style, and a happy Propriety and Clearness
of Expression (the Letters being written under the immediate Impression
of every Circumstance which occasioned them, and that to those who had a
Right to know the fair Writer’s most secret Thoughts) the several
Passions of the Mind must, of course, be more affectingly described, and
Nature may be traced in her undisguised Inclinations with much more
Propriety and Exactness, than can possibly be found in a Detail of
Actions long past, which are never recollected with the same Affections,
Hopes, and Dreads, with which they were felt when they occurred.
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