Samuel Richardson's Introduction to PamelaRichardson, Samuel
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Samuel Richardson's Introduction to Pamela
Richardson, Samuel
Richardson, Samuel, 1689-1761. Pamela
You have agreeably deceiv’d me into a Surprize, which it will be as hard
to express, as the Beauties of PAMELA. Though I open’d this powerful
little Piece with more Expectation than from common Designs, of like
Promise, because it came from _your_ Hands, for my _Daughters_, yet, who
could have dreamt, he should find, under the modest Disguise of a
_Novel_, all the _Soul_ of Religion, Good-breeding, Discretion,
Good-nature, Wit, Fancy, Fine Thought, and Morality?---I have done
nothing but read it to others, and hear others again read it, to me,
ever since it came into my Hands; and I find I am likely to do nothing
else, for I know not how long yet to come: because, if I lay the Book
down, it comes after me.----When it has dwelt all Day long upon the Ear,
It takes Possession, all Night, of the Fancy.----It has Witchcraft in
every Page of it: but it is the Witchcraft of Passion and Meaning. Who
is there that will not despise the false, empty _Pomp_ of the Poets,
when he observes in this little, unpretending, mild Triumph of _Nature_,
the whole Force of Invention and Genius, creating new Powers of Emotion,
and transplanting _Ideas_ of _Pleasure_ into that unweeded low Garden
the _Heart_, from the dry and sharp _Summit_ of _Reason_?
Yet, I confess, there is _One_, in the World, of whom I think with still
greater Respect, than of PAMELA: and That is, of the [_del._ 5th]
{wonderful} AUTHOR of PAMELA.----Pray, Who is he, Dear Sir? and where,
and how, has he been able to hide, hitherto, such an encircling and
all-mastering Spirit? He possesses every Quality that ART could have
charm’d by: yet, has lent it to, and conceal’d it in, NATURE.----The
Comprehensiveness of his Imagination must be truly prodigious!----It has
stretch’d out this diminutive mere _Grain_ of _Mustard-seed_, (a poor
Girl’s little, innocent, Story) into a Resemblance of That _Heaven_,
which the Best of Good Books has compar’d it to.----All the Passions are
His, in their most close and abstracted Recesses: and by selecting the
most delicate, and yet, at the same time, most powerful, of their
Springs, thereby to act, wind, and manage, the Heart, He _moves_ us,
every where, with the Force of a TRAGEDY.
Public-domain text, read in full here on John Shaqi.
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