Domestic fiction; Mothers and sons -- Fiction; Psychological fiction; Widows -- Fiction
Produced by Charles Aldarondo, Tiffany Vergon, William
Flis, and the Online Distributed Proofreading Team
SANCTUARY
By Edith Wharton
PART I
It is not often that youth allows itself to feel undividedly happy: the
sensation is too much the result of selection and elimination to be within
reach of the awakening clutch on life. But Kate Orme, for once, had yielded
herself to happiness; letting it permeate every faculty as a spring rain
soaks into a germinating meadow. There was nothing to account for this
sudden sense of beatitude; but was it not this precisely which made it
so irresistible, so overwhelming? There had been, within the last two
months--since her engagement to Denis Peyton--no distinct addition to
the sum of her happiness, and no possibility, she would have affirmed,
of adding perceptibly to a total already incalculable. Inwardly and
outwardly the conditions of her life were unchanged; but whereas, before,
the air had been full of flitting wings, now they seemed to pause over
her and she could trust herself to their shelter.
Many influences had combined to build up the centre of brooding peace in
which she found herself. Her nature answered to the finest vibrations,
and at first her joy in loving had been too great not to bring with it a
certain confusion, a readjusting of the whole scenery of life. She found
herself in a new country, wherein he who had led her there was least able
to be her guide. There were moments when she felt that the first stranger
in the street could have interpreted her happiness for her more easily
than Denis. Then, as her eye adapted itself, as the lines flowed into each
other, opening deep vistas upon new horizons, she began to enter into
possession of her kingdom, to entertain the actual sense of its belonging
to her. But she had never before felt that she also belonged to it; and
this was the feeling which now came to complete her happiness, to give it
the hallowing sense of permanence.
She rose from the writing-table where, list in hand, she had been going
over the wedding-invitations, and walked toward the drawing-room window.
Everything about her seemed to contribute to that rare harmony of feeling
which levied a tax on every sense. The large coolness of the room, its fine
traditional air of spacious living, its outlook over field and woodland
toward the lake lying under the silver bloom of September; the very scent
of the late violets in a glass on the writing-table; the rosy-mauve masses
of hydrangea in tubs along the terrace; the fall, now and then, of a leaf
through the still air--all, somehow, were mingled in the suffusion of
well-being that yet made them seem but so much dross upon its current.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account