Her small means, and the care of the boy’s education, served the widow as a pretext for secluding herself in a socially remote suburb, where it was inferred that she was expiating, on queer food and in ready-made boots, her rash defiance of fortune. Whether or not Mrs. Peyton’s penance took this form, she hoarded her substance to such good purpose that she was not only able to give Dick the best of schooling, but to propose, on his leaving Harvard, that he should prolong his studies by another four years at the Beaux Arts. It had been the joy of her life that her boy had early shown a marked bent for a special line of work. She could not have borne to see him reduced to a mere money-getter, yet she was not sorry that their small means forbade the cultivation of an ornamental leisure. In his college days Dick had troubled her by a superabundance of tastes, a restless flitting from one form of artistic expression to another. Whatever art he enjoyed he wished to practise, and he passed from music to painting, from painting to architecture, with an ease which seemed to his mother to indicate lack of purpose rather than excess of talent. She had observed that these changes were usually due, not to self-criticism, but to some external discouragement. Any depreciation of his work was enough to convince him of the uselessness of pursuing that special form of art, and the reaction produced the immediate conviction that he was really destined to shine in some other line of work. He had thus swung from one calling to another till, at the end of his college career, his mother took the decisive step of transplanting him to the Beaux Arts, in the hope that a definite course of study, combined with the stimulus of competition, might fix his wavering aptitudes. The result justified her expectation, and their four years in the Rue de Varennes yielded the happiest confirmation of her belief in him. Dick’s ability was recognized not only by his mother, but by his professors. He was engrossed in his work, and his first successes developed his capacity for application. His mother’s only fear was that praise was still too necessary to him. She was uncertain how long his ambition would sustain him in the face of failure. He gave lavishly where he was sure of a return; but it remained to be seen if he were capable of production without recognition. She had brought him up in a wholesome scorn of material rewards, and nature seemed, in this direction, to have seconded her training. He was genuinely indifferent to money, and his enjoyment of beauty was of that happy sort which does not generate the wish for possession. As long as the inner eye had food for contemplation, he cared very little for the deficiencies in his surroundings; or, it might rather be said, he felt, in the sum-total of beauty about him, an ownership of appreciation that left him free from the fret of personal desire. Mrs. Peyton had cultivated to excess this disregard of material conditions; but