Sandra Belloni (originally Emilia in England) — Complete — John Shaqi
Sandra Belloni (originally Emilia in England) — CompleteMeredith, George
General
Sandra Belloni (originally Emilia in England) — Complete
Meredith, George
English fiction -- 19th century
Laura Tinley was punished by being requested to lead off with a
favourite song in a buzz. She acceded, quite aware of the honour
intended, and sat at the piano, taming as much as possible her pantomime
of one that would be audible. Lady Gosstre scanned the room, while
Adela, following her ladyship's eyeglass, named the guests.
“You get together a quaint set of men,” said Lady Gosstre.
“Women!” was on Adela's tongue's tip. She had really thought well of her
men. Her heart sank.
“In the country!” she began.
“Yes, yes!” went my lady.
These were the lessons that made the ladies of Brookfield put a check
upon youth's tendency to feel delightful satisfaction with its immediate
work, and speedily conceive a discontented suspicion of anything
whatsoever that served them.
Two other sacrifices were offered at the piano after Laura Tinley. Poor
victims of ambition, they arranged their dresses, smiled at the
leaves, and deliberately gave utterance to the dreadful nonsense of
the laureates of our drawing-rooms. Mr. Pericles and Emilia exchanged
scientific glances during the performance. She was merciless to
indifferent music. Wilfrid saw the glances pass. So, now, when Emilia
was beckoned to the piano, she passed by Wilfrid, and had a cold look in
return for beaming eyes.
According to directions, Emilia sang a simple Neapolitan air. The singer
was unknown, and was generally taken for another sacrifice.
“Come; that's rather pretty,” Lady Gosstre hailed the close.
“It is of ze people--such as zat,” assented Mr. Pericles.
Adela heard my lady ask for the singer's name. She made her way to her
sisters. Adela was ordinarily the promoter, Cornelia the sifter, and
Arabella the director, of schemes in this management. The ladies had a
moment for counsel over a music-book, for Arabella was about to do duty
at the piano. During a pause, Mr. Pole lifting his white waistcoat with
the effort, sent a word abroad, loudly and heartily, regardless of its
guardian aspirate, like a bold-faced hoyden flying from her chaperon.
They had dreaded it. They loved their father, but declined to think his
grammar parental. Hushing together, they agreed that it had been a false
move to invite Lady Gosstre, who did not care a bit for music, until the
success of their Genius was assured by persons who did. To suppose
that she would recognize a Genius, failing a special introduction, was
absurd. The ladies could turn upon aristocracy too, when it suited them.
Public-domain text, read in full here on John Shaqi.
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