Sandra Belloni (originally Emilia in England) — CompleteMeredith, George
General
Sandra Belloni (originally Emilia in England) — Complete
Meredith, George
English fiction -- 19th century
We are to make acquaintance with some serious damsels, as this English
generation knows them, and at a season verging upon May. The ladies
of Brookfield, Arabella, Cornelia, and Adela Pole, daughters of a
flourishing City-of-London merchant, had been told of a singular thing:
that in the neighbouring fir-wood a voice was to be heard by night, so
wonderfully sweet and richly toned, that it required their strong sense
to correct strange imaginings concerning it. Adela was herself the chief
witness to its unearthly sweetness, and her testimony was confirmed by
Edward Buxley, whose ear had likewise taken in the notes, though not on
the same night, as the pair publicly proved by dates. Both declared
that the voice belonged to an opera-singer or a spirit. The ladies
of Brookfield, declining the alternative, perceived that this was a
surprise furnished for their amusement by the latest celebrity of
their circle, Mr. Pericles, their father's business ally and
fellow-speculator; Mr. Pericles, the Greek, the man who held millions
of money as dust compared to a human voice. Fortified by this exquisite
supposition, their strong sense at once dismissed with scorn the idea
of anything unearthly, however divine, being heard at night, in the
nineteenth century, within sixteen miles of London City. They agreed
that Mr. Pericles had hired some charming cantatrice to draw them into
the woods and delightfully bewilder them. It was to be expected of his
princely nature, they said. The Tinleys, of Bloxholme, worshipped him
for his wealth; the ladies of Brookfield assured their friends that
the fact of his being a money-maker was redeemed in their sight by his
devotion to music. Music was now the Art in the ascendant at Brookfield.
The ladies (for it is as well to know at once that they were not of
that poor order of women who yield their admiration to a thing for its
abstract virtue only)--the ladies were scaling society by the help of
the Arts. To this laudable end sacrifices were now made to Euterpe to
assist them. As mere daughters of a merchant, they were compelled to
make their house not simply attractive, but enticing; and, seeing that
they liked music, it seemed a very agreeable device. The Tinleys of
Bloxholme still kept to dancing, and had effectually driven away Mr.
Pericles from their gatherings. For Mr. Pericles said: “If that they
will go 'so,' I will be amused.” He presented a top-like triangular
appearance for one staggering second. The Tinleys did not go `so' at
all, and consequently they lost the satirical man, and were called 'the
ballet-dancers' by Adela which thorny scoff her sisters permitted to
pass about for a single day, and no more. The Tinleys were their match
at epithets, and any low contention of this kind obscured for them the
social summit they hoped to attain; the dream whereof was their prime
nourishment.
Public-domain text, read in full here on John Shaqi.
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