"And you like ze clap of ze hands. Yez. It is quite natural. Yess.
You are a good child, it is clear. But, look. You are a voice
uncultivated, sauvage. You go wrong: I hear you: and dese claps of zese
noodels send you into squeaks and shrills, and false! false away you go.
It is a gallop ze wrong way."
Here Mr. Pericles attempted the most horrible reproduction of Emilia's
failure. She cried out as if she had been bitten.
"What am I to do?" she asked sadly.
"Not now," Mr. Pericles answered. "You live in London?--at where?"
"Must I tell you?"
"Certainly, you must tell me."
"But, I am not going there; I mean, not yet."
"You are going to sing to z' moon through z' nose. Yez. For how long?"
"These ladies have asked me to stay with them. They make me so happy.
When I leave them--then!"
Emilia sighed.
"And zen?" quoth Mr. Pericles.
"Then, while my money lasts, I shall stay in the country."
"How much money?"
"How much money have I?" Emilia frankly and accurately summed up the
condition of her treasury. "Four pounds and nineteen shillings."
"Hom! it is spent, and you go to your father again?"
"Yes."
"To ze old Belloni?"
"My father."
"No!" cried Mr. Pericles, upon Emilia's melancholy utterance. He bent to
her ear and rapidly spoke, in an undertone, what seemed to be a vivid
sketch of a new course of fortune for her. Emilia gave one joyful
outcry; and now Wilfrid retreated, questioning within himself whether he
should have remained so long. But, as he argued, if he was convinced
that the rascally Greek fellow meant mischief to her, was he not bound to
employ every stratagem to be her safeguard? The influence of Mr.
Pericles already exercised over her was immense and mysterious. Within
ten minutes she was singing triumphantly indoors. Wilfrid could hear
that her voice was firm and assured. She was singing the song of the
woods. He found to his surprise that his heart dropped under some
burden, as if he had no longer force to sustain it.
By-and-by some of the members of the company issued forth. Carriages
were heard on the gravel, and young men in couples, preparing to light
the ensign of happy release from the ladies (or of indemnification for
their absence, if you please), strolled about the grounds.
"Did you see that little passage between Laura Tinley and Bella Pole?"
said one, and forthwith mimicked them: "Laura commencing:-'We must have
her over to us.' 'I fear we have pre-engaged her.'--'Oh, but you, dear,
will do us the favour to come, too?' 'I fear, dear, our immediate
engagements will preclude the possibility.'--'Surely, dear Miss Pole, we
may hope that you have not abandoned us?'--'That, my dear Miss Tinley, is
out of the question.'--'May we not name a day?'--'If it depends upon us,
frankly, we cannot bid you do so.'"
The other joined him in laughter, adding: "'Frankly' 's capital! What
absurd creatures women are! How the deuce did you manage to remember it
all?"
Public-domain text, read in full here on John Shaqi.
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