Wilfrid could not reproach her, and he had not any desire to preach. So,
as no idea of having done amiss in coming to the booth to sing illumined
her, and she yet knew that she was in some way guilty, she accused
herself of disregard for that dear harp while it was brilliant and
serviceable. "Now I remember what poor music I made of it! I touched it
with cold fingers. The sound was thin, as if it had no heart. Tick-
tick!--I fancy I touched it with a dead man's finger-nails."
She crossed her wrists tight at the clasp of her waist, and letting her
chin fall on her throat, shook her body fretfully, much as a pettish
little girl might do. Wilfrid grimaced. "Tick-tick" was not a pathetic
elegy in his ears.
"The only thing is, not to think about it," said he. "It's only an
instrument, after all."
"It's the second one I've seen killed like a living creature," replied
Emilia.
They walked on silently, till Wilfrid remarked, that he wondered where
Gambier was. She gave no heed to the name. The little quiet footing and
the bowed head by his side, moved him to entreat her not to be unhappy.
Her voice had another tone when she answered that she was not unhappy.
"No tears at all?" Wilfrid stooped to get a close view of her face. "I
thought I saw one. If it's about the harp, look!--you shall go into that
cottage where the light is, sit there, and wait for me, and I will bring
you what remains of it. I dare say we can have it mended."
Emilia lifted her eyes. "I am not crying for the harp. If you go back I
must go with you."
"That's out of the question. You must never be found in that sort of
place again."
"Let us leave the harp," she murmured. "You cannot go without me. Let
me sit here for a minute. Sit with me."
She pointed to a place beside herself on the fork of a dry log under
flowering hawthorn. A pale shadowy blue centre of light among the clouds
told where the moon was. Rain had ceased, and the refreshed earth smelt
all of flowers, as if each breeze going by held a nosegay to their
nostrils.
Wilfrid was sensible of a sudden marked change in her. His blood was
quicker than his brain in feeling it. Her voice now, even in common
speaking, had that vibrating richness which in her singing swept his
nerves.
"If you cry, there must be a cause, you know," he said, for the sake of
keeping the conversation in a safe channel.
"How brave you are!" was Emilia's sedate exclamation, in reply.
Her cheeks glowed, as if she had just uttered a great confession, but
while the colour mounted to her eyes, they kept their affectionate
intentness upon him without a quiver of the lids.
"Do you think me a coward?" she relieved him by asking sharply, like one
whom the thought had turned into a darker path. "I am not. I hung my
head while you were fighting, because, what could I do? I would not have
left you. Girls can only say, "I will perish with him."
Public-domain text, read in full here on John Shaqi.
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