"You look as young as ever, ma'am," Mr. Pole complimented her cheerfully,
while he stamped his feet on the floor, and put forward Emilia as one of
his girls; but immediately took the landlady aside, to tell her that she
was "merely a charge--a ward--something of that sort;" admitting, gladly
enough, that she was a very nice young lady. "She's a genius, ma'am, in
music:--going to do wonders. She's not one of them." And Mr. Pole
informed Mrs. Chickley that when they came to town, they usually slept in
one or other of the great squares. He, for his part, preferred old
quarters: comfort versus grandeur.
Simon had soon dressed the dinner-table. By the time dinner was ready,
Mr. Pole had sunk into such a condition of drowsiness, that it was hard
to make him see why he should be aroused, and when he sat down, fronting
Emilia, his eyes were glazed, and he complained that she was scarcely
visible.
"Some of your old yellow seal, Simon. That's what I want. I haven't got
better at home."
The contents of this old yellow seal formed the chief part of the
merchant's meal. Emilia was induced to drink two full glasses.
"Doesn't that make your feet warm, my dear?" said Mr. Pole.
"It makes me want to talk," Emilia confessed.
"Ah! we shall have some fun to-night. "To-the-rutte-ta-to!" If you
could only sing, "Begone dull care!" I like glees: good, honest,
English, manly singing for me! Nothing like glees and madrigals, to my
mind. With chops and baked potatoes, and a glass of good stout, they
beat all other music."
Emilia sang softly to him.
When she had finished, Mr. Pole applauded her mildly.
"Your music, my dear?"
"My music: Mr. Runningbrook's words. But only look. He will not change
a word, and some of the words are so curious, they make me lift my chin
and pout. It's all in my throat. I feel as if I had to do it on tiptoe.
Mr. Runningbrook wrote the song in ten minutes."
"He can afford to--comes of a family," said Mr. Pole, and struck up a bit
of "Celia's Arbour," which wandered into "The Soldier Tired," as he came
bendingly, both sets of fingers filliping, toward Emilia, with one of
those ancient glee--suspensions, "Taia--haia--haia--haia," etc., which
were meant for jolly fellows who could bear anything.
"Eh?" went Mr. Pole, to elicit approbation in return.
Emilia smoothed the wrinkles of her face, and smiled.
"There's nothing like Port," said Mr. Pole. "Get little Runningbrook to
write a song: "There's nothing like Port." You put the music. I'll sing
it."
"You will," cried Emilia.
"Yes, upon my honour! now my feet are warmer, I by Jingo! what's that?"
and again he wore that strange calculating look, as if he were being
internally sounded, and guessed at his probable depth. "What a twitch!
Something wrong with my stomach. But a fellow must be all right when his
spirits are up. We'll be off as quick as we can. Taia--haihaia--hum.
If the farce is bad, it's my last night of theatre-going."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account