her as a devil might; and justifying itself, too, and daring to say, "Am
I not Nature?" Mrs. Lupin shrank from the remembrance of those moments.
In another age, the scenes between Mrs. Lupin and Mrs. Chump, greatly
significant for humanity as they are, will be given without offence on
one side or martyrdom on the other. At present, and before our
sentimentalists are a concrete, it would be profitless rashness to depict
them. When the great shots were fired off (Mrs. Chump being requested to
depart, and refusing) Mrs. Lupin fluttered between the belligerents,
doing her best to be a medium for the restoration of peace. In repeating
Mrs. Chump's remarks, which were rendered purposely strong with Irish
spice by that woman, she choked; and when she conveyed to Mrs. Chump the
counter-remarks of the ladies, she provoked utterances that almost killed
her. A sadder life is not to be imagined. The perpetual irritation of a
desire to indulge in her mortal weakness, and listening to the sleepless
conscience that kept watch over it; her certainty that it would be better
for her to laugh right out, and yet her incapacity to contest the justice
of her nieces' rebuke; her struggle to resist Mrs. Chump, which ended in
a sensation of secret shameful liking for her--all these warring
influences within were seen in her behaviour.
"I have always said," observed Cornelia, "that she labours under a
disease." What is more, she had always told Mrs. Lupin as much, and her
sisters had echoed her. Three to one in such a case is a severe trial to
the reason of solitary one. And Mrs. Lupin's case was peculiar, inasmuch
as the more she yielded to Chump-temptation and eased her heart of its
load of laughter, the more her heart cried out against her and subscribed
to the scorn of her nieces. Mrs. Chump acted a demon's part; she
thirsted for Mrs. Lupin that she might worry her. Hitherto she had not
known that anything peculiar lodged in her tongue, and with no other
person did she think of using it to produce a desired effect; but now the
scenes in Brookfield became hideous to the ladies, and not wanting in
their trials to the facial muscles of the gentlemen. A significant sign
of what the ladies were enduring was, that they ceased to speak of it in
their consultations. It is a blank period in the career of young
creatures when a fretting wretchedness forces them out of their dreams to
action; and it is then that they will do things that, seen from the
outside (i.e. in the conduct of others), they would hold to be monstrous,
all but impossible. Or how could Cornelia persuade herself, as she
certainly persuaded Sir Twickenham and the world about her, that she had
a contemplative pleasure in his society? Arabella drew nearer to Edward
Buxley, whom she had not treated well, and who, as she might have
guessed, had turned his thoughts toward Adela; though clearly without
encouragement. Adela indeed said openly to her sisters, with a Gallic
Public-domain text, read in full here on John Shaqi.
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