Georgiana knew that to call Emilia 'child' was to wound the most
sensitive nerve in Merthyr's system, if he loved her, and she had
determined to try harshly whether he did. Nevertheless, though the
expression succeeded, and was designedly cruel, she could not forgive the
insincerity of his last speech; craving in truth for confidence as her
smallest claim on him now. So, at all the consultations, she acquiesced
in any scheme that was proposed; the advertizings and the use of
detectives; the communication with Emilia's mother and father; and the
callings at suburban concert-rooms. Sir Purcell Barrett frequently
called to assist in the discovery. At first he led them to suspect Mr.
Pericles; but a trusty Italian playing spy upon that gentleman soon
cleared him, and they were more in the dark than ever. It was only when
at last Georgiana heard Merthyr, the picture of polished self-possession,
giving way to a burst of disappointment in the room before them all: "Are
we sure that she lives?" he cried:--then Georgiana, looking at the
firelight over her joined fingers, said:--
"But, have you forgotten the serviceable brigade you have in your organ-
boys, Marini? If Emilia sees one, be sure she will speak to him."
"Have I not said she is a General?" Marini pointed at Georgiana with a
gleam of his dark eyes, and Merthyr squeezed his sister's hand, thanking
her; by which he gave her one whole night of remorse, because she had not
spoken earlier.
CHAPTER XXXVIII
"My voice! I have my voice!"
Emilia had cried it out to herself almost aloud, on the journey from
Devon to London. The landscape slipping under her eyes, with flashing
grey pools and light silver freshets, little glades, little copses,
farms, and meadows rounding away to spires of village churches under blue
hills, would not let her sink, heavy as was the spirit within her, and
dead to everything as she desired to be. Here, a great strange old oak
spread out its arms and seemed to hold the hurrying train a minute. When
gone by, Emilia thought of it as a friend, and that there, there, was the
shelter and thick darkness she had hoped she might be flying to. Or the
reach of a stream was seen, and in the middle of it one fair group of
clouds, showing distance beyond distance in colour. Emilia shut her
sight, and tried painfully to believe that there were no distances for
her. This was an easy task when the train stopped. It was surprising to
her then why the people moved. The whistle of the engine and rush of the
scenery set her imagination anew upon the horror of being motionless.
Public-domain text, read in full here on John Shaqi.
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