In the excitement of her sudden rush from dead monotony to active life,
Emilia let some time pass before she wrote to Wilfrid. Her letter was in
her hand, when one was brought in to her from him. It ran thus:--
"I have just returned home, and what is this I hear? Are you utterly
faithless? Can I not rely on you to keep the word you have solemnly
pledged! Meet me at once. Name a place. I am surrounded by misery and
distraction. I will tell you all when we meet. I have trusted that you
were firm. Write instantly. I cannot ask you to come here. The house
is broken up. There is no putting to paper what has happened. My father
lies helpless. Everything rests on me. I thought that I could rely on
you."
Emilia tore up her first letter, and replied:--
"Come here at once. Or, if you would wish to meet me elsewhere, it shall
be where you please: but immediately. If you have heard that I am going
to Italy, it is true. I break my promise. I shall hope to have your
forgiveness. My heart bleeds for my dear Cornelia, and I am eager to see
my sisters, and embrace them, and share their sorrow. If I must not
come, tell them I kiss them. Adieu!"
Wilfrid replied:--
"I will be by Richford Park gates to-morrow at a quarter to nine. You
speak of your heart. I suppose it is a habit. Be careful to put on a
cloak or thick shawl; we have touches of frost. If I cannot amuse you,
perhaps the nightingales will. Do you remember those of last year? I
wonder whether we shall hear the same?--we shall never hear the same."
This iteration, whether cunningly devised or not, had a charm for
Emilia's ear. She thought: "I had forgotten all about them." When she
was in her bedroom at night, she threw up her window. April was leaning
close upon May, and she had not to wait long before a dusky flutter of
low notes, appearing to issue from the great rhododendron bank across the
lawn, surprised her. She listened, and another little beginning was
heard, timorous, shy, and full of mystery for her. The moon hung over
branches, some that showed young buds, some still bare. Presently the
long, rich, single notes cut the air, and melted to their glad delicious
chuckle. The singer was answered from a farther bough, and again from
one. It grew to be a circle of melody round Emilia at the open window.
Was it the same as last year's? The last year's lay in her memory faint
and well-nigh unawakened. There was likewise a momentary sense of
unreality in this still piping peacefulness, while Merthyr stood in a
bloody-streaked field, fronting death. And yet the song was sweet.
Emilia clasped her arms, shut her eyes, and drank it in. Not to think at
all, or even to brood on her sensations, but to rest half animate and let
those divine sounds find a way through her blood, was medicine to her.
Public-domain text, read in full here on John Shaqi.
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