He was ragged and brawny and picturesque. His hands, bronzed by the
tan of sixteen summers, were clasped under his head, and his legs were
crossed, one soleless shoe on high vaunting its nakedness in the face
of an indifferent world. A sailor's blouse, two sizes too large, was
held together at the neck by a bit of red cambric, and his trousers
were anchored to their mooring by a heavy piece of yellow twine. The
indolence of his position, however, was not indicative of the state of
his mind; for under his weather-beaten old cap, perched sidewise on a
tousled head, was a commotion of dreams and schemes, ambitions and
plans, whose activities would have put to shame the busiest wharf in
the world.
"It's your show, Sandy Kilday!" he said, half aloud, with a bit of a
brogue that flavored his speech as the salt flavors the sea air. "You
don't want to be a bloomin' old weather-vane, a-changin' your mind
every time the wind blows. Is it go, or stay?"
The answer, instead of coming, got sidetracked by the train of thought
that descended upon him when he was actually face to face with his
decision. All sorts of memories came rushing pell-mell through his
brain. The cold and hungry ones were the most insistent, but he
brushed them aside.
The one he clung to longest was the earliest and most shadowy of the
lot. It was of a little white house on an Irish heath, and inside was
the biggest fireplace in the world, where crimson flames went roaring
up the big, dark chimney, and where witches and fairies held high
carnival. There was a big chair on each side the hearth, and between
them a tiny red rocker with flowers painted on the arms of it. That
was the clearest of all. There were persons in the large chairs, one a
silent Scotchman who, instinct told him, must have been his father,
and the other--oh, tricky memory that faltered when he wanted it to be
so clear!--was the maddest, merriest little mother that ever came
back to haunt a lad. By holding tight to the memory he could see that
her eyes were blue like his own, but her hair was black. He could hear
the ring of her laugh as she told him Irish stories, and the soft
drone of her voice as she sang him old Irish songs. It was she who
told him about the fairies and witches that lived up behind the
peat-flames. He remembered holding her hand and putting his cheek
against it when the goblins came too near. Then the picture would go
out, like a picture in a magic-lantern show, and sometimes Sandy could
make it come back, and sometimes he could not.
Public-domain text, read in full here on John Shaqi.
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