Sandy threw open the window, and going over to the newspaper piano,
untied the wrappings. He softly touched the keys and began to sing in
an undertone. Old Irish love-songs, asleep in his heart since they
were first dropped there by the merry mother lips, stirred and awoke.
The accompaniment limped along lamely enough; but the singer, with hat
over his eyes and lemon-juice on his nose, sang on as only a poet and
lover can. His rich, full voice lingered on the soft Celtic syllables,
dwelt tenderly on the diminutive endearments, while his heart,
overcharged with sorrow and joy and romance and dreams, spilled over
in an ecstasy of song.
Next door, in an upper bedroom, a tired soul paused in its final
flight. Martha Meech, stretching forth her thin arms in the twilight,
listened as one might listen to the strains of an angel choir.
"It's Sandy," she said, and the color came to her cheeks, the light to
her eyes. For, like Sandy, she had youth and she had love, and life
itself could give no more.
CHAPTER XIII
THE COUNTY FAIR
The big amphitheater at the fair grounds was filled as completely and
evenly as a new paper of pins. Through the air floated that sweetest
of all music to the childish ear--the unceasing wail of expiring
balloons; and childish souls were held together in one sticky ecstasy
of molasses candy and pop-corn balls.
Behind the highest row of seats was a promenade, and in front of the
lowest was another. Around these circled a procession which, though
constantly varying, held certain recurring figures like the charging
steeds on a merry-go-round. There was Dr. Fenton, in his tight
Confederate suit; he had been circling in that same procession at
every fair for twenty years. There was the judge, lank of limb and
loose of joint, who stopped to shake hands with all the strangers and
invite them to take dinner in his booth, where Mrs. Hollis reveled in
a riot of pastry. A little behind him strutted Mr. Moseley, sending
search-lights of scrutiny over the crowd in order to discover the
academy boys who might be wasting their time upon unlettered
femininity.
At one side of the amphitheater, raised to a place of honor, was the
courting-box. Here the aristocratic youth of the country-side met to
measure hearts, laugh at the rustics, and enjoy the races.
In previous years Sandy had watched the courting-box from below, but
this year he was in the center of it. Jests and greetings from the
boys, and cordial glances from maidens both known and unknown, bade
him welcome. But, in spite of his reception, and in spite of his
irreproachable toilet, he was not having a good time. With hands in
pockets and a scowl on his face, he stared gloomily over the crowd.
Twice a kernel of pop-corn struck his ear, but he did not turn.
Above him, Annette Fenton was fathoms deep in a flirtation with Carter
Nelson; while below him, Ruth, in the daintiest of gowns and the
largest of hats, was wasting her sweetness on the desert countenance
of Sid Gray.
Public-domain text, read in full here on John Shaqi.
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